ating probability, or "o'erstepping the modesty of
nature." In fact, Gay has turned the tables on the critics; and by the
assumed licence of the mock-heroic style, has enabled himself to _do
justice to nature_, that is, to give all the force, truth, and locality
of real feeling to the thoughts and expressions, without being called to
the bar of false taste and affected delicacy. The extreme beauty and
feeling of the song, "Woman is like the fair flower in its lustre," are
only equalled by its characteristic propriety and _naivete_. _Polly_
describes her lover going to the gallows, with the same touching
simplicity, and with all the natural fondness of a young girl in her
circumstances, who sees in his approaching catastrophe nothing but the
misfortunes and the personal accomplishments of the object of her
affections. "I see him sweeter than the nosegay in his hand; the
admiring crowd lament that so lovely a youth should come to an untimely
end:--even butchers weep, and Jack Ketch refuses his fee rather than
consent to tie the fatal knot." The preservation of the character and
costume is complete. It has been said by a great authority--"There is
some soul of goodness in things evil":--and the _Beggar's Opera_ is a
good-natured but instructive comment on this text. The poet has thrown
all the gaiety and sunshine of the imagination, all the intoxication of
pleasure, and the vanity of despair, round the shortlived existence of
his heroes; while _Peachum_ and _Lockitt_ are seen in the back-ground,
parcelling out their months and weeks between them. The general view
exhibited of human life is of the most subtle and abstracted kind. The
author has, with great felicity, brought out the good qualities and
interesting emotions almost inseparable from the lowest conditions; and
with the same penetrating glance, has detected the disguises which rank
and circumstances lend to exalted vice. Every line in this sterling
comedy sparkles with wit, and is fraught with the keenest sarcasm. The
very wit, however, takes off from the offensiveness of the satire; and I
have seen great statesmen, very great statesmen, heartily enjoying the
joke, laughing most immoderately at the compliments paid to them as not
much worse than pickpockets and cut-throats in a different line of life,
and pleased, as it were, to see themselves humanised by some sort of
fellowship with their kind. Indeed, it may be said that the moral of the
piece is _to sh