n died out. Then lecturers and
special preachers were frequently appointed by corporations or rich
private individuals. But these lecturers and preachers were a somewhat
independent race who were not very loyal to the parsons and impatient of
episcopal control, and proved themselves rather a hindrance than a help.
In North Devon[39] and doubtless in many other places the experiment was
tried of making use of the parish clerks and raising them to the
diaconate. Such a clerk so raised to major orders was Robert Langdon
(1584-1625), of Barnstaple, to whose history I shall have occasion to
refer again. His successor, Anthony Baker, was also a clerk-deacon. The
parish clerk then attained the zenith of his power, dignity, and
importance.
[Footnote 39: _The Parish Clerks of Barnstaple_, 1500-1900, by Rev. J.F.
Chanter (Transactions of the Devonshire Association).]
After the disastrous period of the Commonwealth rule he emerges shorn
of his learning, his rank, and status. His name remained; his office was
recognised by legal enactments and ecclesiastical usage; but in most
parishes he was chosen on account of his poverty rather than for his
fitness for the post. So long as the church rates remained he received
his salary, but when these were abolished it was found difficult in many
parishes to provide the funds. Hence as the old race died out, the
office was allowed to lapse, and the old clerk's place knows him no
more. Possibly it may be the delectable task of some future historian to
record the complete revival of the office, which would prove under
proper conditions an immense advantage to the Church and a valuable
assistance to the parochial clergy.
CHAPTER V
THE CLERK IN LITERATURE
The parish clerk is so notable a character in our ecclesiastical and
social life, that he has not escaped the attention of many of our great
writers and poets. Some of them have with gentle satire touched upon his
idiosyncrasies and peculiarities; others have recorded his many virtues,
his zeal and faithfulness. Shakespeare alludes to him in his play of
_Richard II_, in the fourth act, when he makes the monarch face his
rebellious nobles, reproaching them for their faithlessness, and saying:
"God save the King! will no man say Amen?
Am I both priest and clerk? Well then, Amen.
God save the King! although I be not he;
And yet, Amen, if Heaven do think him me."
An old ballad, _King Cophetua and the Beggar-Ma
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