All the dancers scattered over the "field"
must follow the movements of the seven in charge of the seven ceremonial
hills.

4

Cover all gently, leave the print of our feet
On the earth mellowed fine, so brown, so sweet.

_Refrain_: Ah hey they,
Ah hey hey they,
Ah hey they ha!
Ah hey they,
Ah hey hey they,
Ah hey they ha!

In the action for this stanza the hoe and the feet of the dancers have a
special part. The movements of the dancers should represent the covering of
the dropped seed with the mellowed earth and the making of the footprint on
the top of the little hill within which the seed is now hidden. In the
native Ritual Song the term "footprint" is used symbolically; it represents
a person--in this instance the one who had done the work--also the work
itself that has been accomplished. The dancers should be careful to
remember the rhythm of the second, fourth, sixth and eighth measures, as
these can be used to emphasize "footprints" and also the completion of the
task. During a repeat of the refrain the dancers should drop their hoes and
gather in groups as if to look at the field; this action will bring them
into the position required for the fifth stanza.

5

How like lines of buffalo upon the slope,
Lie our little brown hills, so full now of hope.

_Refrain_: Ah hey they,
Ah hey hey they,
Ah hey they ha!
Ah hey they,
Ah hey hey they,
Ah hey they ha!

The motions of the hands and the movements of the body should indicate that
in looking over the field one is struck by the striped appearance made by
the rows of little hills, recalling the resemblance to the buffalo
descending the slope. The final "ha!" of the refrain should indicate
pleasure. A brief silence should follow, during which the dancers pick up
their hoes, adjust their pouches, fall into line and sing the following
song:

Song No. 2

Light our hearts and gay
As we homeward take our way,
While the winds about us play,
Singing as we go.
Hy-ya hy-ya hy-ya ho!
Hy-ya hy-ya hy-ya ho!
Hy-ya ho!
Ho!
Hy-ya ho!

[Music]

This song should be repeated many times as all the dancers, with rhythmic,
springing steps, wind about the camp ground before they finally disperse.

DANCE III

INTRODUCTORY NOTE.--This dance is from the Corn Ritual Song and is a