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e of Bakewell, which we have already figured in _The Mirror_.[4] It evidently originated with the same people as that at Eyam, though it is much more mutilated. These crosses have been generally regarded as Saxon or Danish, though the probability is in favour of the Saxon origin, from the high veneration of the Saxons for the sacred symbol of the cross. Thus, stone crosses were not only parts of the decorations of every church and altar, but set up as land-marks on the high roads as aids to devotion, and in market-places as incentives to integrity and fair-dealing. [4] Vol. xi. p. 40. Near the cross at Eyam, and in the distance of the Cut, is the tomb of Mrs. Mompesson, on one end of which is an hour-glass with two expanded wings; and underneath on an oblong tablet is inscribed CAVETE; (beware,) and nearer the base, the words _Nescitis Horam_ (ye know not the hour). On the other end of the tomb is a death's head resting on a plain, projecting tablet; and below the words _Mihi lucrum_ (mine is the gain). The second hallowed relic is at Wheston a small and pleasant village, which is situated on an eminence that forms one side of Monksdale, and which at this place is known by the name of Peter-dale. A short distance from hence is Tideswell, about four miles from Eyam.[5] "Wheston," observes Mr. Rhodes, "though consisting of a few houses only, is a picturesque little place: the trees which are mingled with the cottages, are so abundant, and everywhere so finely foliaged, that the place altogether, particularly when seen at a short distance, appears more like a copse or wood than a village." The position of the Wheston cross favours the conclusion already made as to the purposes for which this kind of emblem was originally set up in England. It stands in the village, _near the road-side_. The upper part of the cross resembles in some of its ornaments the mullion-work of a Gothic window: the shaft is unadorned, and more modern. One side represents the infant Saviour in the arms of his mother: over their heads is a faint indication of a star, emblematic of the ray that directed the wise men of the East to the birthplace of Jesus. The reverse of the cross exhibits the crucifixion of Christ, whose birth and death it has apparently been the design of the sculptor to commemorate in the erection of this symbol of his faith. Similar structures are by no means uncommon by the road-sides throughout France, and to this day
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