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he writers of the Augustan age, by repressing emulation, tended to a general diminution of the efforts of genius for some time; while the banishment of Ovid, it is probable, and the capital punishment of a subsequent poet, for censuring the character of Agamemnon, operated towards the farther discouragement of poetical exertions. There now existed no circumstance to counterbalance these disadvantages. Genius no longer found a patron either in the emperor or his minister; and the gates of the palace were shut against all who cultivated the elegant pursuits of the Muses. Panders, catamites, assassins, wretches stained with every crime, were the constant attendants, as the only fit companions, of the tyrant who now occupied the throne. We are informed, however, that even this emperor had a taste for the liberal arts, and that he composed a lyric poem upon the death of Lucius Caesar, with some Greek poems in imitation of Euphorion, Rhianus, and Parthenius. But none of these has been transmitted to posterity: and if we should form an opinion of them upon the principle of Catullus, that to be a good poet one ought to be a good man, there is little reason to regret that they have perished. We meet with no poetical production in this reign; and of prose writers the number is inconsiderable, as will appear from the following account of them.---- VELLEIUS PATERCULUS was born of an equestrian family in Campania, and served as a military tribune under Tiberius, in his expeditions in Gaul and Germany. He composed an Epitome of the History of Greece and Rome, with that of other nations of remote antiquity: but of this work there only remain fragments of the history of Greece and Rome, from the conquest of Perseus to the seventeenth year of the reign of Tiberius. It is written in two books, addressed to Marcus Vinicius, who had (248) the office of consul. Rapid in the narrative, and concise as well as elegant in style, this production exhibits a pleasing epitome of ancient transactions, enlivened occasionally with anecdotes, and an expressive description of characters. In treating of the family of Augustus, Paterculus is justly liable to the imputation of partiality, which he incurs still more in the latter period of his history, by the praise which is lavished on Tiberius and his minister Sejanus. He intimates a design of giving a more full account of the civil war which followed the death of Julius Caesar; but this, if
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