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tement. It does not follow that every hysterical person has the artistic temperament; for nervous instability may be the outcome of nervous disease, epilepsy, insanity, or even simple neuroticism in the parents. But so powerful is the influence of the imagination over the body, that the vivid imagination connoted by the artistic temperament controls the nervous system, and when it reaches a certain intensity expresses itself in some abnormal way. And it is the abnormal psychical condition that is of so much significance in literature and philosophy. This psychical condition is far commoner in the East than in the West. Indeed in India, training in mystical insight goes by the name of Yoga. {151a} The passive, contemplative temperament of the Oriental favours this ecstatic condition. "The science of the Sufis," says a Persian philosopher of the eleventh century, {151b} "aims at detaching the heart from all that is not God, and at giving to it for sole occupation the meditation of the divine being. . . . Just as the understanding is a stage of human life in which an eye opens to discuss various intellectual objects uncomprehended by sensation; just so in the prophetic the sight is illumined by a light which uncovers hidden things and objects which the intellect fails to reach. The chief properties of prophetism are perceptible only during the transport by those who embrace the Sufi life. The prophet is endowed with qualities to which you possess nothing analogous, and which consequently you cannot possibly understand. How should you know their true nature?--what one can comprehend? But the transport which one attains by the method of the Sufis is like an immediate perception, as if one touched the objects with one's hand." It is worthy of note how that every ecstatic condition is marked by the same characteristics; and in the confession of Jefferies, the admissions of Tennyson, and in the utterance of religious mystics of every kind, two factors detach themselves. The vision or state of mind is one of expectant wonder. Something that cannot be communicated in words thrills the entire being. That is one characteristic. The other is that this exaltation, this revelation to the senses, is one that appeals wholly to sensation. It can be felt; it cannot be apprehended by any intellectual formulae. It can never be reduced to logical shape. And the
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