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ve? Can't you feel how he would lie and listen to all the sounds about him--the squealing mice, the creaking rafters, the wind moaning in the eaves--too terrified to go to sleep? And when he did sleep--worn out--can't you imagine what his dreams would be like? Oh, women like that--women who could frighten little sensitive children--ought to be burned as they burned the witches!" The girl's eyes blazed and she shook a pair of clenched fists into the air. "And can you see the rest of it? How the fear grew and grew even as the memory of the tales faded, grew into a nameless, unexplainable fear of sleep? And because he was a boy he hid it; and because he was a man he fought it; but the thing nailed him at last. He fought sleep until he lost the habit of sleep. He couldn't get along without it, and here he is!" "Well, what are you going to do?" The superintendent eyed her narrowly; her cheeks were as flushed as the girl's. A little enigmatical smile curved up the corners of the usually demure mouth. "Going to play Leerie--going to play it harder than I ever did in my life before." And that night as Peter turned his head wearily toward the door to greet the kindly, cumbersome Saunders, he found, to his surprise, the owner of the shining eyes come back. He felt so ridiculously glad about it that he couldn't even trust himself to tell her so. Instead he repeated foolishly the same old thing, "Why, it's--it's Leerie!" When everything was ready for the night, Sheila turned the night-light out and lowered the curtain until it was quite dark. Then she drew her chair close to the bed and slipped her hand into the lean, clenched one on the coverlid. "Don't think of me as a girl--a nurse--a person--at all, to-night," she said, softly. "I'm just a piece of Stevenson's poem come to life--a lamplighter for a little boy going to sleep all alone in a farm-house attic. It's very dark. You can hear the mice squeal and the rafters creak, if you listen, and the window's so small the stars can't creep in. In the daytime the attic doesn't seem far away or very strange, but at night it's miles--miles away from the rest of the house, and it's full of things that may happen. That's why I'm here with my lamp." Sheila stopped a moment. She could hear the man's breath coming quick, with a catch in it--a child breathes that way when it is fighting down a cry or a sob. Then she went on: "Of course it's a magical lamp I carry, and with the firs
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