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efore he found a heavy rock. He lugged it back and said, "Go on away, Reny." She hurried to a distance, and even Crosson turned his head aside. On the way home they were all three tired and sick, and Drury had to stop every now and then to sit down and get strength into his knees. But there was a sense of grim relief that helped them all, and the bird, once safely dead, was rapidly forgotten. After that Crosson seemed to lose his place in Irene's heart, and Drury won all that Crosson lost, and more. Before long it was understood that Drury and Irene had agreed to get married as soon as he could earn enough to keep them. All four parents opposed the match; Irene's because Drury was "no 'count," and Drury's for much the same reason. Old Boldin allowed that Irene would be added to his family, for meals and lodgin', if she married his son; and old Straley guessed that it would be the other way round, and the Boldin boy would come over to his house to live. Also, Drury could get no work in Carthage. Eventually he went to Chicago to try his luck there. Crosson seized the chance to try to get back to Irene. One Sunday he took his shot-gun out in the wilderness and brought down a duck whose throat had so rich a glimmer that he believed it would delight Irene. He took it to her. She was out in her garden, and she looked at his gift with eyes so hurt by the pity of the bird's drooping neck that they were blind to its beauty. While Crosson stood in sheepish dismay, recognizing that Drury was present still in his absence, the minister appeared at his elbow. It was not the wrecked career of the fowl that shocked the pastor, but the broken Sabbath. "It seems to me, Eddie," he said, "that it is high time you were beginning to take life seriously. Come to church to-night and make up for your ungodliness." Crosson consented. It was a good way of making his escape from Irene's haunted eyes. The service that night had little influence on his heart, but a month later a revivalist came into Carthage with a great fanfare of attack on the hosts of Lucifer. This man was an emotionalist of irresistible fire. He reasoned less than he sang. His voice was as thrilling as a trombone, and his words did not matter. It was his tone that made the heart resound like a smitten bell. The revivalist struck unsuspected chords of emotion in Eddie Crosson and made him weep! But he wept tears of a different sort from the waters of gri
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