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g till he came round the corner and waved to her. She looked from him to herself, to what she could see of herself--it was not all, but more than enough. She saw her heavy red hands and the coarse gown over her awkward knees, and the dismal slovenliness of her attitude. She felt that he was remembering the slim, wild, sweet girl he had married. And she was ashamed before his eyes, because she had let the years prey upon her and had lazily permitted beauty to escape from her--from her body, her face, her motions, her thoughts. She felt that for all her prating of duty she had committed a great wickedness lifelong. She wondered if this were not "the unpardonable sin," whose exact identity nobody had seemed to decide--to grow strangers with beauty and to forget grace. II Whatever her husband may have been thinking, he had the presence of mind to hide his eyes in the water he had poured from the pitcher. He scooped it up now in double handfuls. He made a great splutter and soused his face in the bowl, and scrubbed the back of his neck and behind his ears and his bald spot, and slapped his eminent collar-bones with his wet hand. And then he was bathed. Serina pulled on her stockings, and hated them and the coarser feet they covered. She opened the wardrobe door as a screen, less from modesty for herself than from sudden disgust of her old corset and her all too sober lingerie. She resolved that she would hereafter deck herself with more of that coquetry which had abruptly returned to her mind as a wife's most solemn duty. Then she remembered that they were poorer than they ever had been. Now they could not even run into debt again; for who would give them further credit, since their previous bills had been canceled by nothing more satisfactory than the grim "Received payment" of the bankruptcy court? It was too late for her to reform. Her song was sung. And as for buying frills and fallals, there were two daughters to provide for and a son who was growing into the stratum of foppery. With a sigh of dismissal she flung on her old wrapper, whose comfortableness she suddenly despised, and made her escape, murmuring, "I'll call the childern." She pounded on the boy's door, and Horace eventually answered with his regular program of uncouth noises, like some one protesting against being strangled to death. These were followed by moans of woe, and then by far-off-sounding promises of "Oh, aw ri', I'm git'nup."
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