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e finest of Asian embroidery. A large part of the eighteenth and the first quarter of the nineteenth century was a period of remarkable skill in all kinds of stitchery. It was not confined to embroidery, but was also applied to all varieties of domestic needlework. Hemstitched ruffles were a part of masculine as well as feminine wear, and finely stitched and ruffled shirts for the head of the household were quite as necessary to the family dignity as embroidered gowns and caps for its feminine members. It would be difficult to enumerate all the uses to which the national perfection of needle dexterity was put. It was, indeed, a national dexterity, for although its application was widely different in the eastern and southern states, the two schools of needlework, as we may term them, met and mingled to a common practice of both methods in the middle states. [Illustration: EMBROIDERED SILK WEDDING WAISTCOAT, 1829. From the Westervelt collection. _Courtesy of Bergen County Historical Society, Hackensack, N. J._] [Illustration: EMBROIDERED WAIST OF A BABY DRESS. 1850. From the collection of Mrs. George Coe. _Courtesy of Bergen County Historical Society, Hackensack, N. J._] Perhaps one may account for the prevalence of this kind of work, as it existed at a period of very limited education or literary pursuits among women. Domestic life was woman's kingdom, and needlework was one of its chief conditions. But whatever cause or causes stimulated the vogue of this variety of embroidery, we find it was universal among rich and poor, in city and country, for nearly three-quarters of a century. The narrow roll of muslin, for scalloped flounces and ruffling, and the skeins of French cotton went everywhere with girls and women, except to church and to ceremonious functions where men were included. Needlework was far more than an interest, it was an occupation. The varieties of tambour work and open stitchery of various ornamental kinds were possible for all capacities. It was a general form of fine needlework, happily available to women of the farmhouse, as well as of the mansion, and its exceeding precision and beauty gave a character to the purely utilitarian stitchery of the day which has made a high standard for succeeding generations. The hemstitched ruffles of shirts, the stitched plaits of simpler ones, the buttonholed triangles at the intersection of seams--all these practically unknown to modern constructio
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