FREE BOOKS

Author's List




PREV.   NEXT  
|<   394   395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418  
419   420   421   422   423   424   425   426   427   428   429   430   431   432   433   434   435   436   437   438   439   440   441   442   443   >>   >|  
at reform on political lines only was without any element of stability, and that he knew that it was far more important to touch a spring in the feeling of the people, than to occupy himself, like Sulla, in mending old machinery or inventing new. If he could but induce them to believe in him as the restorer of the _pax deorum_, he knew that his work was accomplished. And I believe that we have what is practically his own word for this conviction; not in his Res Gestae, the _Monumentum Ancyranum_, which is a record of facts and of deeds only, but in the famous hymn which Horace wrote at his instance and to give expression to his ideas, for use in the Secular Games of 17 B.C., to which I am coming presently. Ferrero has lately described that hymn as a magnificent poem,[908] an opinion which to me is incomprehensible. It is neat, and embodies the necessary ideas adequately, but it is far too flat to be the genuine offspring of such a poet as Horace. To me it reads as though Augustus had written it in prose and then ordered his poet to put it into metre; and assuredly it expresses exactly what we should have expected Augustus to wish to be sung by his youthful choirs. I shall refer to it again shortly to illustrate another point; all I need say now is that he who reads it carefully and thinks about it will find there the conviction of which I have been speaking, that prosperity and fertility, whether of man, beast, or crop, depend on the Roman's attitude toward his deities; religion, morality, fertility, and public concord are the points which the astute ruler wished to be emphasised.[909] That this hymn was a really important part of the ceremony is certain from the fact that it was given to the best living poet to write, and that his name is mentioned as its author in the inscription, discovered not many years ago, which commemorated the whole performance: "CARMEN COMPOSUIT Q. HORATIUS FLACCUS."[910] If, then, I am right, this strange movement was not merely a revival of religious ceremonies, but an appeal through them to the conscience of the people. A revival of religious _life_ it, of course, was not, for what we understand by that term had never existed at Rome; but it was an attempt to give expression, in a religious form and under State authorisation, to certain feelings and ideas not far removed in kind from those which in our own day we describe as our religious experience. Whether Augustus himself shared in thes
PREV.   NEXT  
|<   394   395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418  
419   420   421   422   423   424   425   426   427   428   429   430   431   432   433   434   435   436   437   438   439   440   441   442   443   >>   >|  



Top keywords:
religious
 

Augustus

 

revival

 

expression

 

Horace

 

conviction

 
fertility
 
people
 

important

 
speaking

morality

 

emphasised

 
thinks
 

prosperity

 

religion

 

deities

 

ceremony

 

wished

 
concord
 
depend

attitude

 

astute

 
living
 
public
 

points

 

carefully

 

FLACCUS

 
existed
 

attempt

 

understand


conscience

 

experience

 

describe

 

Whether

 
shared
 

authorisation

 
feelings
 

removed

 
appeal
 

commemorated


discovered

 

inscription

 

mentioned

 
author
 

performance

 

CARMEN

 

strange

 

movement

 

ceremonies

 
COMPOSUIT