mmatical value as
_dark_ in the following line. 'I cast for comfort, (which)
I can no more find in my comfortless (world) than a blind
man in his dark world. . . .'--l. 10, MS. accents _let_.--
13 and 14, the text here from a good correction separately
written (as far as _mountains_) on the top margin of No. 56.
There are therefore two writings of _betweenpie_, a strange
word, in which _pie_ apparently makes a compound verb
with _between_, meaning 'as the sky seen between dark
mountains is brightly dappled', the grammar such as
_intervariegates_ would make. This word might have
delighted William Barnes, if the verb 'to pie' existed.
It seems not to exist, and to be forbidden by homophonic
absurdities.
48. 'HERACLITEAN FIRE. (Sprung rhythm, with many out-
rides and hurried feet: sonnet with two [_sic_] codas.)
July 26, 1888. Co. Dublin. The last sonnet [this] pro-
visional only.' Autograph in A.--I have found no other
copy nor trace of draft. The title is from A.--line 6, con-
struction obscure, _rutpeel_ may be a compound word,
MS. uncertain. 8, ? omitted relative pronoun. If so =
'the manmarks that treadmire toil foot-fretted in it'. MS.
does not hyphen nor quite join up _foot_ with _fretted_.--
12. MS. has no caesural mark.--On Aug. 18, '88, he
wrote: 'I will now go to bed, the more so as I am going to
preach tomorrow and put plainly to a Highland congrega-
tion of MacDonalds, Mackintoshes, Mackillops, and the
rest what I am putting not at all so plainly to the rest of
the world, or rather to you and Canon Dixon, in a sonnet
in sprung rhythm with two codas.' And again on Sept.
25, '88: 'Lately I sent you a sonnet on the Heraclitean
Fire, in which a great deal of early Greek philosophical
thought was distilled; but the liquor of the distillation
did not taste very greek, did it? The effect of studying
masterpieces is to make me admire and do otherwise. So
it must be on every original artist to some degree, on me
to a marked degree. Perhaps then more reading would
only _refine my singularity_, which is not what you want.'
Note, that the sonnet has three codas, not two.
49. ALFONSUS. Text from autograph with title and 'upon the
first falling of his feast after his canonisation' in B. An
autograph in A, sent Oct. 3 from Dublin asking for im-
mediate criticism, because the sonnet had to go to Majorca.
'I ask your opinion of a sonnet written to order on the
occasion of the first feast since his canonisation prope
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