low, and the
wide bending sky blue above, the voice of nature in the sounding of
streams, the song of birds, and the bleating of sheep differ widely from
what the susceptible and poetic mind is destined to experience amidst
the clanking din of shuttles in the dingy, narrow workshop of the
handloom weaver. Here the breath of the light hill breeze cannot come;
the form is bowed down, and the cheek is pale. Life, however buoyant and
aspiring at first, necessarily ere long becomes saddened and subdued. To
poor Tannahill it became a burden--more than he could bear. Yet it was
among these circumstances that he contrived to compose those chaste and
beautiful songs which have delighted, and still continue to delight, the
hearts of so many. Though not marked with much that can be termed
strikingly original, this, instead of militating against them, may have
told in their favour. Wayward conceits, fanciful thoughts and
expressions in songs, are like the hectic hue on the cheek of the
unhealthy; it may appear to give a surpassing beauty, but it is a beauty
which forebodes decay. "Oh, are ye sleeping, Maggie?" may be regarded as
the most original of Tannahill's songs. It is more ardent in tone, and
in every respect more poetic, than his other lyrics. The imagery is not
only striking, but true to nature, though in maintaining the simple and
tender, it does more than approach the sublime. His style is uniformly
distinguished by a chaste simplicity, and well sustained power.

In these observations, we have pointed to that affinity of mind which
unites in sentiment those possessing it, in spite of worldly
distinctions. And song, too, we have found, is a prevalent and
far-pervading agency, which become the mean of binding together a
nation's population on the ground of that which is true to nature. It,
therefore, does so in a manner more congenial and pleasurable than most
other ties which bind; those of interest and necessity may be stronger,
indeed, but these ties being much more selfish, are also, in most
instances, much less harmonious. Song-writing is the highest attribute
of poetic genius. The epic poet has to do with the exercise of energies,
which produce deeds that are decided, together with the operation of
passions and feelings which are borne into excess. These are more easily
depicted than the gentler sentiments and feelings, together with the
lights and shades of national character which constitute the materials
of song. N