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ay: "_No; you must mark out your path with the pencil so I can see it plainly._" Other children trace a path only a little way and stop, saying: "Here it is." We then say: "_But suppose you have not found it yet. Which direction would you go next?_" In this way the child must be kept tracing a path until it is evident whether any plan governs his procedure. SCORING. The performances secured with this test are conveniently classified into four groups, representing progressively higher types. The first two types represent failures; the third is satisfactory at year VIII, the fourth at year XII. They may be described as follows:-- _Type a_ (failure). The child fails to comprehend the instructions and either does nothing at all or else, perhaps, takes the pencil and makes a few random strokes which could not be said to constitute a search. _Type b_ (also failure). The child comprehends the instructions and carries out a search, but without any definite plan. Absence of plan is evidenced by the crossing and re-crossing of paths, or by "breaks." A break means that the pencil is lifted up and set down in another part of the field. Sometimes only two or three fragments of paths are drawn, but more usually the field is pretty well filled up with random meanderings which cross each other again and again. Other illustrations of type _b_ are: A single straight or curved line going direct to the ball, short haphazard dashes or curves, bare suggestion of a fan or spiral. _Type c_ (satisfactory at year VIII). A successful performance at year VIII is characterized by the presence of a plan, but one ill-adapted to the purpose. That some forethought is exercised is evidenced, (1) by fewer crossings, (2) by a tendency either to make the lines more or less parallel or else to give them some kind of symmetry, and (3) by fewer breaks. The possibilities of type _c_ are almost unlimited, and one is continually meeting new forms. We have distinguished more than twenty of these, the most common of which may be described as follows:-- 1. Very rough or zigzag circles or similarly imperfect spirals. 2. Segments of curves joined in a more or less symmetrical fashion. 3. Lines going back and forth across the field, joined at the ends and not intended to be parallel. 4. The "wheel plan," showing lines radiating from ne
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