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s not find it delectable, he may well suspect some fault in himself. The contents of the volume are, first, "Memoirs of the Life of William Shakespeare"; second, "An Essay toward the Expression of Shakespeare's Genius"; third, "An Account of the Rise and Progress of the English Drama to the Time of Shakespeare." In his "Memoirs," the author of course adds nothing to what was already known of the poet's life. But his presentation of the matter is eminently readable, and, in parts, decidedly interesting; which is as much as can fairly be looked for in any writing on that subject. Some readers may think, we _do_ think, that the author is a little at fault on one or two points. For instance, he overworks certain questions touching the poet's wife, worrying up the matter against her to the utmost, and, in fact, tormenting the poor woman's memory in such a way as to indicate something very like spite. Now this is not fair; and Mr. White's general fairness on other subjects makes his proceeding the less excusable in this case. Of course everybody knows that Mrs. Anne Shakespeare was some eight years older than her husband; that the circumstances of the marriage were not altogether what they should have been; and that the oldest daughter was born a little too soon for the credit of either parent. This is all, all, there is known about the matter. And if conjecture or inference must be at work on these facts, surely it had better run in the direction of charity, especially of charity towards the weaker vessel. We say weaker vessel, because in this case the man must, in all fairness, be supposed to have had the advantage, at least as much in strength of natural understanding as the woman had in years. And as Shakespeare was, by all accounts, a very attractive person, it does not well appear but that the woman had as good a right to lose her heart in his company as he had to lose his head in hers. Yet our author insinuates, perhaps we should say more than insinuates, that the lady immodestly angled for and seduced the youthful lover, and entangled his honor in an obligation of marriage; and he seems quite positive that the poet afterwards hated her, and took refuge in London partly to escape from her society. Moreover, he presumes her to have been a coarse, low, vulgar creature, such as, the fascination of the honeymoon once worn off, the poet could not choose but loathe and detest. Now all this is sheer conjecture; it has n
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