ed or false ideas of
physiological processes cannot immediately be stamped out. A long time
is needed for the mind to be able to form a clear image of those
processes, and not till then can knowledge and improvement be
expected. The teacher must repeatedly explain the physiological
processes, the pupil repeatedly disclose every confusion and
uncertainty he feels, until the perfect consciousness of his
sensations in singing is irrevocably impressed upon his memory, that
is, has become a habit.
Among a hundred singers hardly one can be found whose single tones
meet every requirement. And among a thousand listeners, even among
teachers, and among artists, hardly one hears it.
I admit that such perfect tones sometimes, generally quite
unconsciously, are heard from young singers, and especially from
beginners, and never fail to make an impression. The teacher hears
that they are good, so does the public. Only a very few know why, even
among singers, because only a very few know the laws governing perfect
tone production. Their talent, their ear perchance, tell them the
truth; but the causes they neither know nor look for.
On such "unconscious singing" directors, managers, and even
conductors, build mistakenly their greatest hopes. No one hears what
is lacking, or what will soon be lacking, and all are surprised when
experienced singers protest against it.
They become enthusiastic, properly, over beautiful voices, but pursue
quite the wrong path in training them for greater tasks. As soon as
such persons are obtained, they are immediately bundled into _all_
roles; they have hardly time to learn one role by heart, to say
nothing of comprehending it and working it up artistically. The stars
must shine _immediately_! But with what resources? With the fresh
voice alone? Who is there to teach them to use their resources on the
stage? Who to husband them for the future? The manager? the director?
Not at all. When the day comes that they can no longer perform what,
not they themselves, but the directors, expected of them, they are put
to one side, and if they do not possess great energy and strength,
often entirely succumb. They could not meet the demands made upon
them, because they did not know how to use their resources.
I shall be told that tones well sung, even unconsciously, are enough.
But that is not true. The least unfavorable circumstance,
over-exertion, indisposition, an unaccustomed situation, anything can
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