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passing by a lone graveyard interprets the tall and slender shrub laden with white blossoms as a swaying ghost, the misconception does not arise from any fault of mere vision, but from the type of former knowledge which the other surroundings of the moment call up, these evidently giving the mind a certain bias in its interpretation of the sensuous, or colour, impressions. =Perception in Adult Life.=--In our study of general method, sense perception was referred to as the most common mode of acquiring particular knowledge. A description of the development of this power to perceive objects through the senses should, therefore, prove of pedagogical value. But to understand how an individual acquires the ability to perceive objects, it is well to notice first what takes place in an ordinary adult act of perception, as for instance, when a man receives and interprets a colour stimulus and says that he perceives an orange. If we analyse the person's idea of an orange we find that it is made up of a number of different quality images--colour, taste, smell, touch, etc., organized into a single experience, or idea, and accepted as a mental representation of an object existing in space. When, therefore, the person referred to above says that he perceives an orange, what really happens is that he accepts the immediate colour and light sensation as a sign of the whole group of qualities which make up his notion of the external object, orange, the other qualities essential to the notion coming back from past experience to unite with the presented qualities. Owing to this fact, any ordinary act of perception is said to contain both presentative and representative elements. In the above example, for instance, the colour would be spoken of as a presentative element, because it is immediately presented to the mind in sensuous terms, or through the senses. Anything beyond this which goes to make up the individual's notion orange, and is revived from past experience, is spoken of as representative. For the same reason, the sensuous elements involved in an ordinary act of perception are often spoken of as immediate, and the others as mediate elements of knowledge. =Genesis of Perception.=--To trace the development of this ability to mingle both presentative and representative elements of knowledge into a mental representation, or idea, of an external object, it is necessary to recall what has been noted regarding the relation of the ner
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