no less brave and no less fair.
[Illustration: MISS KATE FIELD.]
His interest was richly repaid by the young girl who, after his death,
wrote reminiscences of Landor in a manner whose sympathetic brilliancy
of interpretation added an enduring lustre to his life and achievement.
In her early girlhood as, indeed, in her womanhood, her brilliancy and
charm won all hearts. It was in Florence that she met George Eliot, and
a moon-light evening at the Trollope villa, where Marion Lewes led the
girl, dream-enchanted, out on the fragrant and flowery terrace, left its
picture in her memory, and exquisitely did she portray it in a paper on
George Eliot at the time of her death. By temperament and cultivation
Miss Field is admirably adapted to interpret to the world its masters,
its artists. Her dramatic criticism on Ristori ranks among the finest
ever written of the stage; her "Pen Photographs of Dickens's Readings"
have permanently recorded that memorable tour. Her Life of Fechter wins
its praise from the highest literary authorities in our own country and
London. She has published a few books, made up from her fugitive
articles in the _Tribune_, the _London Times_, the _Athenaeum_, and
the magazines, and more of this literature would be eminently refreshing
and acceptable. It is no exaggeration to say that among the American
writers of to-day no one has greater breadth, vigor, originality
and power than Kate Field. She is by virtue of wide outlook and
comprehension of important matters, entirely free from the tendency to
petty detail and trivial common-place that clogs the minds and pens of
many women-writers. Her foreign letters to the _Tribune_ discussed
questions of political significance and international interest. Miss
Field is a woman of so many resources that she has never made of her
writing a trade, but has used it as an art; and she never writes unless
she has something to say. This fact teaches a moral that the woman of
the period may do well to contemplate.
Yet with all the varied charms of foreign life, passed in the most
cultivated and refined social circles of Europe, Kate Field never forgot
that she was an American, and patriotism grew to be a passion with her.
She became a student of English and American politics, and her
revelations of the ponderous machinery of the British Parliament, in a
series of strong and brilliant press letters, now collected into the
little volume called "Hap-Hazzard," was as f
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