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no less brave and no less fair. [Illustration: MISS KATE FIELD.] His interest was richly repaid by the young girl who, after his death, wrote reminiscences of Landor in a manner whose sympathetic brilliancy of interpretation added an enduring lustre to his life and achievement. In her early girlhood as, indeed, in her womanhood, her brilliancy and charm won all hearts. It was in Florence that she met George Eliot, and a moon-light evening at the Trollope villa, where Marion Lewes led the girl, dream-enchanted, out on the fragrant and flowery terrace, left its picture in her memory, and exquisitely did she portray it in a paper on George Eliot at the time of her death. By temperament and cultivation Miss Field is admirably adapted to interpret to the world its masters, its artists. Her dramatic criticism on Ristori ranks among the finest ever written of the stage; her "Pen Photographs of Dickens's Readings" have permanently recorded that memorable tour. Her Life of Fechter wins its praise from the highest literary authorities in our own country and London. She has published a few books, made up from her fugitive articles in the _Tribune_, the _London Times_, the _Athenaeum_, and the magazines, and more of this literature would be eminently refreshing and acceptable. It is no exaggeration to say that among the American writers of to-day no one has greater breadth, vigor, originality and power than Kate Field. She is by virtue of wide outlook and comprehension of important matters, entirely free from the tendency to petty detail and trivial common-place that clogs the minds and pens of many women-writers. Her foreign letters to the _Tribune_ discussed questions of political significance and international interest. Miss Field is a woman of so many resources that she has never made of her writing a trade, but has used it as an art; and she never writes unless she has something to say. This fact teaches a moral that the woman of the period may do well to contemplate. Yet with all the varied charms of foreign life, passed in the most cultivated and refined social circles of Europe, Kate Field never forgot that she was an American, and patriotism grew to be a passion with her. She became a student of English and American politics, and her revelations of the ponderous machinery of the British Parliament, in a series of strong and brilliant press letters, now collected into the little volume called "Hap-Hazzard," was as f
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