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she foresaw the companion; in Felicia, the child and darling of her old age. And looking round on this crooked world, she acknowledged, now as always, that she had got more than she deserved, more--much more--than her share. A conviction that Cyril Boden did his best to sharpen in her. With the invincible optimism of his kind, he scoffed at the misgivings which she confided to him, and to him only, on the score of Felicia's lack of training, her touchy and passionate temper, and the little unscrupulous ways that offended a fastidious observer. "What does it matter?" he said to her--"she is in love--head over ears. You and he can make of her what you like. She will beat him if he looks at anybody else; but she will have ten children, and never have a thought or an interest that isn't his. And as to the money--" "Yes--the money!" said Victoria, dejectedly. "What on earth will they do with it all? Harry is so rich already." "Do with it!" Boden turned upon her. "Grow a few ideas in your landlord garden! Turn the ground of it--enrich it--change it--try experiments! How long will this England leave the land to you landowners, unless you bring some mind to it--aye, and the best of your _souls_! you--the nation's servants! Here is a great tract left desolate by one man's wickedness. Restore the waste places--build--people--teach! Heavens, what a chance!" His eyes kindled. "And when Faversham and Lydia come back--yoke them in too. Curator!--stuff! If he won't own that estate, make him govern it, and play the man. Disinterested power!--with such a wife--and such a friend! Could a man ask better of the gods! Now is your moment. Rural England turns to you, its natural leaders, to shape it afresh. Shirk--refuse--at your peril!" ***END OF THE PROJECT GUTENBERG EBOOK THE MATING OF LYDIA*** ******* This file should be named 14174.txt or 14174.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/4/1/7/14174 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Pro
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