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uation has been going from bad to worse,--and I have said nothing--hoping always to find some way out. But now it is precisely my fear that--if we can't discover it--you will find yourself, without preparation, ruined on the threshold of life, which drives me to tell you everything. Your head is a cleverer one than mine. You may think of something. It is of course the coal-mining that has come to grief, and dragged in all the rest. I have been breaking down with anxiety. And you, my poor boy!--I remember you said when we met last, that you hoped to marry soon--perhaps this year--and go into Parliament. I am afraid all that is at an end, unless you can find a girl with money, which of course you ought to have no difficulty in doing, with your advantages. "But it is no good writing. Come to-morrow, and wire your train. "Your loving father, ARTHUR FALLODEN." "'Ruined on the threshold of life'--what does he mean?"--thought Falloden impatiently. "Father always likes booky phrases like that. I suppose he's been dropping a thousand or two as he did last year--hullo!" As he stood by the window, he perceived the Hoopers' parlourmaid coming up Beaumont Street and looking at the numbers on the houses. He ran out to meet her, and took a note from her hand. "I will send or bring an answer. You needn't wait." He carried it into his own room, and locked the door before opening it. * * * * * "Dear Mr. Falloden,--Mr. Sorell has just been here. He left Mr. Radowitz at a nursing home after seeing the surgeons. It is all terrible. The hand is badly poisoned. They hope they may save it, but the injuries will make it impossible for him ever to play again as he has done. He may use it again a little, he may compose of course, but as a performer it's all over. Mr. Sorell says he is in despair--and half mad. They will watch him very carefully at the home, lest he should do himself any mischief. Mr. Sorell goes back to him to-morrow. He is himself broken-hearted. "I am very, very sorry for you--and for Lord Meyrick,--and everybody. But I can't get over it--I can't ever forget it. There is a great deal in what you said this afternoon. I don't deny it. But, when it's all said, I feel I could never be happy with you; I should be always afraid of you--of your pride and your violence. And love mustn't be afraid. "This horrible thing seems to have opened my eyes. I am o
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