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obtain the slightest measure of consideration or protection, to say nothing of respect? Carters, porters, messengers--these are the beasts of burden amongst mankind; by all means let them be treated justly, fairly, indulgently, and with forethought; but they must not be permitted to stand in the way of the higher endeavors of humanity by wantonly making a noise. How many great and splendid thoughts, I should like to know, have been lost to the world by the crack of a whip? If I had the upper hand, I should soon produce in the heads of these people an indissoluble association of ideas between cracking a whip and getting a whipping. Let us hope that the more intelligent and refined among the nations will make a beginning in this matter, and then that the Germans may take example by it and follow suit.[1] Meanwhile, I may quote what Thomas Hood says of them[2]: _For a musical nation, they are the most noisy I ever met with_. That they are so is due to the fact, not that they are more fond of making a noise than other people--they would deny it if you asked them--but that their senses are obtuse; consequently, when they hear a noise, it does not affect them much. It does not disturb them in reading or thinking, simply because they do not think; they only smoke, which is their substitute for thought. The general toleration of unnecessary noise--the slamming of doors, for instance, a very unmannerly and ill-bred thing--is direct evidence that the prevailing habit of mind is dullness and lack of thought. In Germany it seems as though care were taken that no one should ever think for mere noise--to mention one form of it, the way in which drumming goes on for no purpose at all. [Footnote 1: According to a notice issued by the Society for the Protection of Animals in Munich, the superfluous whipping and the cracking of whips were, in December, 1858, positively forbidden in Nuremberg.] [Footnote 2: In _Up the Rhine_.] Finally, as regards the literature of the subject treated of in this chapter, I have only one work to recommend, but it is a good one. I refer to a poetical epistle in _terzo rimo_ by the famous painter Bronzino, entitled _De' Romori: a Messer Luca Martini_. It gives a detailed description of the torture to which people are put by the various noises of a small Italian town. Written in a tragicomic style, it is very amusing. The epistle may be found in _Opere burlesche del Berni, Aretino ed altri_, Vol. II.
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