OOTNOTES:

[Footnote 13: In the greatest poetry, all the elements of human nature
are burning in a single flame. The artifice of criticism is to detect
what peculiar radiance each element contributes to the whole light; but
this no more affects the singleness of the compounded energy in poetry
than the spectroscopic examination of fire affects the single nature of
actual flame. For the purposes of this book, it has been necessary to
look chiefly at the contribution of intellect to epic poetry; for it is
in that contribution that the development of poetry, so far as there is
any development at all, really consists. This being so, it might be
thought that Keats could hardly have done anything for the real progress
of epic. But Keats's apparent (it is only apparent) rejection of
intellect in his poetry was the result of youthful theory; his letters
show that, in fact, intellect was a thing unusually vigorous in his
nature. If the Keats of the letters be added to the Keats of the poems,
a personality appears that seems more likely than any of his
contemporaries, or than anyone who has come after him, for the work of
carrying Miltonic epic forward without forsaking Miltonic form.]

[Footnote 14: For all I know, Hugo may never have read Milton; judging
by some silly remarks of his, I should hope not. But Hugo could feel the
things in the spirit of man that Milton felt; not only because they were
still there, but because the secret influence of Milton has intensified
the consciousness of them in thousands who think they know nothing of
_Paradise Lost_. Modern literary history will not be properly understood
until it is realized that Milton is one of the dominating minds of
Europe, whether Europe know it or not. There are scarcely half a dozen
figures that can be compared with Milton for irresistible
influence--quite apart from his unapproachable supremacy in the
technique of poetry. When Addison remarked that _Paradise Lost_ is
universally and perpetually interesting, he said what is not to be
questioned; though he did not perceive the real reason for his
assertion. Darwin no more injured the significance of _Paradise Lost_
than air-planes have injured Homer.]

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