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The Project Gutenberg EBook of The Epic, by Lascelles Abercrombie This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Epic An Essay Author: Lascelles Abercrombie Release Date: January 14, 2004 [EBook #10716] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE EPIC *** Produced by Garrett Alley and PG Distributed Proofreaders The Epic: an Essay By Lascelles Abercrombie 1914. By the same Author: Towards a Theory of Art Speculative Dialogues Four Short Plays Thomas Hardy: A Critical Study Principles of English Prosody PREFACE _As this essay is disposed to consider epic poetry as a species of literature, and not as a department of sociology or archaeology or ethnology, the reader will not find it anything material to the discussion which may be typified in those very interesting works, Gilbert Murray's "The Rise of the Greek Epic" and Andrew Lang's "The World of Homer." The distinction between a literary and a scientific attitude to Homer (and all other "authentic" epic) is, I think, finally summed up in Mr. Mackail's "Lectures on Greek Poetry"; the following pages, at any rate, assume that this is so. Theories about epic origins were therefore indifferent to my purpose. Besides, I do not see the need for any theories; I think it need only be said, of any epic poem whatever, that it was composed by a man and transmitted by men. But this is not to say that investigation of the "authentic" epic poet's_ milieu _may not be extremely profitable; and for settling the preliminaries of this essay, I owe a great deal to Mr. Chadwick's profoundly interesting study, "The Heroic Age"; though I daresay Mr. Chadwick would repudiate some of my conclusions. I must also acknowledge suggestions taken from Mr. Macneile Dixon's learned and vigorous "English Epic and Heroic Poetry"; and especially the assistance of Mr. John Clark's "History of Epic Poetry." Mr. Clark's book is so thorough and so adequate that my own would certainly have been superfluous, were it not that I have taken a particular point of view which his method seems to rule out--a point of view which seemed well worth taking. This is my excuse, too, for cons
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