he monumental inscriptions on temples
and tombs, for which the Saturnian remained the regular measure,
hardly belong to literature proper. So far as the minor poetry makes
its appearance at all, it presents itself ordinarily, and that as
early as the time of Naevius, under the name of -satura-. This term
was originally applied to the old stage-poem without action, which
from the time of Livius was driven off the stage by the Greek drama;
but in its application to recitative poetry it corresponds in some
measure to our "miscellaneous poems," and like the latter denotes not
any positive species or style of art, but simply poems not of an epic
or dramatic kind, treating of any matters (mostly subjective), and
written in any form, at the pleasure of the author. In addition to
Cato's "poem on Morals" to be noticed afterwards, which was presumably
written in Saturnian verses after the precedent of the older first
attempts at a national didactic poetry,(52) there came under this
category especially the minor poems of Ennius, which that writer,
who was very fertile in this department, published partly in his
collection of -saturae-, partly separately. Among these were brief
narrative poems relating to the legendary or contemporary history of
his country; editions of the religious romance of Euhemerus,(53) of
the poems dealing with natural philosophy circulating in the name
of Epicharmus,(54) and of the gastronomies of Archestratus of Gela,
a poet who treated of the higher cookery; as also a dialogue between
Life and Death, fables of Aesop, a collection of moral maxims,
parodies and epigrammatic trifles--small matters, but indicative
of the versatile powers as well as the neological didactic tendencies
of the poet, who evidently allowed himself the freest range in this
field, which the censorship did not reach.

Metrical Annals
Naevius

The attempts at a metrical treatment of the national annals lay
claim to greater poetical and historical importance. Here too it was
Naevius who gave poetic form to so much of the legendary as well as
of the contemporary history as admitted of connected narrative; and
who, more especially, recorded in the half-prosaic Saturnian national
metre the story of the first Punic war simply and distinctly, with
a straightforward adherence to fact, without disdaining anything at
all as unpoetical, and without at all, especially in the description
of historical times, going in pursuit of poetical fl