days,
On evil days though fall'n and evil tongues,
In darkness, and with dangers compast round.'
_Paradise Lost_, vii. 26.

[150] Johnson's _Works_, vii. 105.

[151] 'His political notions were those of an acrimonious and surly
republican.' _Ib_. p. 116.

[152] 'What we know of Milton's character in domestick relations is,
that he was severe and arbitrary.' _Ib._ p. 116.

[153] 'His theological opinions are said to have been first,
Calvinistical; and afterwards, perhaps when he began to hate the
Presbyterians, to have tended towards Arminianism.... He appears to have
been untainted by any heretical peculiarity of opinion.' _Ib._ p. 115.

[154] Mr. Malone things it is rather a proof that he felt nothing of
those cheerful sensations which he has described: that on these topicks
it is the _poet_, and not the _man_, that writes. BOSWELL.

[155] See _ante_, i. 427, ii. 124, and iv. 20, for Johnson's
condemnation of blank verse. This condemnations was not universal. Of
Dryden, he wrote (_Works_, vii. 249):--'He made rhyming tragedies, till,
by the prevalence of manifest propriety, he seems to have grown ashamed
of making them any longer.' His own _Irene_ is in blank verse; though
Macaulay justly remarks of it:--'He had not the slightest notion of what
blank verse should be.' (Macaulay's _Writings and Speeches_, ed. 1871,
p. 380.) Of Thomson's _Seasons_, he says (_Works_, vii. 377):--'His is one
of the works in which blank verse seems properly used.' Of Young's
_Night Thoughts_:--'This is one of the few poems in which blank verse
could not be changed for rhyme but with disadvantage.' _Ib_. p. 460. Of
Milton himself, he writes:--'Whatever be the advantages of rhyme, I
cannot prevail on myself to wish that Milton had been a rhymer; for I
cannot wish his work to be other than it is; yet, like other heroes, he
is to be admired rather than imitated.' _Ib_. vii. 142. How much he felt
the power of Milton's blank verse is shewn by his _Rambler_, No. 90,
where, after stating that 'the noblest and most majestick pauses which
our versification admits are upon the fourth and sixth syllables,' he
adds:--' Some passages [in Milton] which conclude at this stop [the
sixth syllable] I could never read without some strong emotions of
delight or admiration.' 'If,' he continues, 'the poetry of Milton be
examined with regard to the pauses and flow of his verses into each
other, it will appear that he has perform