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star, above-- Which tasks strength, wisdom, stateliness, to lift His manhood to the height that takes the prize." Browning conceived and presented the organic idea and ideal of life, in its fullness, its intensity, as perhaps few poets have ever done. He would almost place a positive sin above a negative virtue. To live intensely, even if it be sinfully, was to Browning's vision to be on the upward way, rather than to be in a state of negative good. The spirit of man is its own witness of the presence of God. Life cannot be truly lived in any fantastic isolation. "Just when we're safest, there's a sunset touch, A fancy from a flower-bell, some one's death, A chorus ending from Euripides." With Browning, as with Spinoza, there is an impatience, too, with the perpetual references to death, and they both constantly turn to the everlasting truth of life. "It is this harping on death that I despise so much," exclaimed Browning, in the later years of his life, in a conversation with a friend. "In fiction, in poetry, in art, in literature this shadow of death, call it what you will,--despair, negation, indifference,--is upon us. But what fools who talk thus!... Why, death is life, just as our daily momentarily dying body is none the less alive, and ever recruiting new forces of existence. Without death, which is our word for change, for growth, there could be no prolongation of that which we call life." After the completion of "Christmas Eve and Easter Day," Mrs. Browning questioned her husband about the apparent asceticism of the second part of the poem, and he replied that he meant it to show only one side of the matter. "Don't think," she wrote to a friend, "that Robert has taken to the cilix,--indeed he has not, but it is his way to see things as passionately as other people feel them." Browning teaches in this poem that faith is an adventure of the spirit, the aspiration felt, even if unnamed. But as to renunciation,-- "'Renounce the world!'--Ah, were it done By merely cutting one by one Your limbs off, with your wise head last, How easy were it!" The renunciation that the poet sees is not so simple. It is not to put aside all the allurements of life, but to use them nobly; to persist in the life of the spirit, to offer love for hatred, truth for falsehood, generous self-sacrifice rather than to grasp advantages,--to live, not to forsake the common daily lot. It is, indeed, the phil
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