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e buskin bound with care. A fashion loose forsake,-- A shoe of sloven make, That any foot may take. Sculptor, the clay withstand, That yieldeth to the hand, Though listless heart command. Contend till thou have wrought, Till the hard stone have caught The beauty of thy thought. With Paros match thy might, And with Carrara bright, That guard the line of light. Borrow from Syracuse The bronze's stubborn use, Wherein thy form to choose. And with a delicate grace In the veined onyx trace Apollo's perfect face. Painter, put thou aside The transient. Be thy pride The colour furnace-tried. Limn thou, fantastic, free Blue sirens of the sea, And beasts of heraldry. Before a nimbus gold Transcendently uphold The Child, the Cross foretold. Things perish. Gods have passed. But song sublimely cast Shall citadels outlast. And the forgotten seal Turned by the plowman's steel An emperor may reveal. For Art alone is great: The bust survives the state, The crown the potentate. Carve, burnish, build thy theme,-- But fix thy wavering dream In the stern rock supreme. --- [Transcribers notes: I have created this online text from two sources: _E?maux et came?es_ by The?ophile Gautier (Paris: Charpentier, 1872), and Agnes Lee's English translation entitled _Enamels and Cameos_, published in Volume XXIV of _The Complete Works of The?ophile Gautier_ (Cambridge, MA: University Press, John Wilson and Son, 1903). Lee added line indentations for most of the poems which were not present in Gautier's original text, so I have not included them here. Apart from this, the online text follows Lee's translation, including her dedicatory sonnet.] End of the Project Gutenberg EBook of Enamels and Cameos and other Poems, by Theophile Gautier *** END OF THIS PROJECT GUTENBERG EBOOK ENAMELS AND CAMEOS AND OTHER POEMS *** ***** This file should be named 29521.txt or 29521.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/5/2/29521/ Produced by Ruth Hart Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the
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