es' or Mrs. Town's boxes.
Mrs. Gilding's guests must, from the vantage point of the Worldly, Jones
or Town boxes, keep a watchful eye on their hostess and instantly return
to her support when they see her visitors about to leave, even though the
ladies whom they are momentarily visiting be left to themselves. It is of
course the duty of the other gentlemen who came to the opera with Mrs.
Worldly, Mrs. Jones or Mrs. Town to hurry to them.

A gentleman must never stay in any box that he does not belong in, after
the lowering of the lights for the curtain. Nor, in spite of cartoons to
the contrary, does good taste permit conversation during the performance
or during the overture. Box holders arriving late or leaving before the
final curtain do so as quietly as possible and always without speaking.

=A "BRILLIANT OPERA NIGHT"=

A "brilliant opera night," which one often hears spoken of (meaning merely
that all the boxes are occupied, and that the ladies are more elaborately
dressed than usual) is generally a night when a leader of fashion such as
Mrs. Worldly, Mrs. Gilding, or Mrs. Toplofty, is giving a ball; and most
of the holders of the parterre boxes are in ball dresses, with an unusual
display of jewels. Or a house will be particularly "brilliant" if a very
great singer is appearing in a new role, or if a personage be present, as
when Marshal Joffre went to the Metropolitan.

=AFTER THE PERFORMANCE=

One gentleman, at least, must wait in the carriage lobby until all the
ladies in his party have driven away. _Never_ under any circumstances may
"the last" gentleman leave a lady standing alone on the sidewalk. It is
the duty of the hostess to take all unattended ladies home who have not a
private conveyance of their own, but the obligation does not extend to
married couples or odd men. But if a married lady or widow has ordered her
own car to come for her, the odd gentleman waits with her until it
appears. It is then considerate for her to offer him a "lift," but it is
equally proper for her to thank him for waiting and drive off alone.

=AT THE THEATER=

New Yorkers of highest fashion almost never occupy a box at the theater.
At the opera the world of fashion is to be seen in the parterre boxes (not
the first tier), and in boxes at some of the horse shows and at many
public charity balls and entertainments, but those in boxes at the theater
are usually "strangers" or "outsiders."

No one can dispute that th