nct from the
resurrection; it occurred nearly six weeks later, and indicates a number
of supremely important truths.
1. Jesus then withdrew from the sphere of the seen and physical to the
sphere of the unseen and spiritual. He did not pass up or down through
vast spaces of the skies. We are not to think of him as far away. He is an
unseen, divine Presence, superior to the limitations of time and space,
and capable of being manifest in any period or place. The ascension should
make us feel that Jesus is near rather than far away.
2. Jesus then assumed universal power; not at the time of his
resurrection, but at the time of his ascension, he was seated "on the
right hand of the Majesty on high." This indicates divine omnipotence. It
is the continual representation of the New Testament that Jesus Christ has
all authority in heaven and on earth. The ascension should therefore
remind us of the limitless power of Christ.
3. It was therefore at the time of the ascension that Jesus entered "into
his glory." Then it was that his body was transformed, made deathless,
"spiritual," celestial, immortal; and then he again began to share the
divine glory which he had with the Father "before the world was." The
ascension, therefore, is a pledge and type of the glory which yet awaits
his followers. It is an assurance that he yet will fulfill his promises
and will again appear; emerging from the sphere of the unseen he will be
manifested to all mankind as both the ideal Man and as the Saviour of the
world.
***END OF THE PROJECT GUTENBERG EBOOK THE GOSPEL OF LUKE, AN EXPOSITION***
CREDITS
October 11, 2008
Project Gutenberg TEI edition 1
Produced by Stephen Hope, Fox in the Stars, David King, and
the Online Distributed Proofreading Team at
.
A WORD FROM PROJECT GUTENBERG
This file should be named 26881.txt or 26881.zip.
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/2/6/8/8/26881/
Updated editions will replace the previous one -- the old editions will be
renamed.
Creating the works from public domain print editions means that no one
owns a United States copyright in these works, so the Foundation (and
you!) can copy and distribute it in the United States without permission
and without paying copyright royalties. Special rules, set forth in the
General Terms of Us
|