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Meanwhile the Moon Full-orbed and breaking through the scattered clouds, Shows her broad visage in the crimsoned east. Turned to the Sun direct, her spotted disk, Where mountains rise, umbrageous dales descend, And caverns deep, as optic tube descries, A smaller Earth, gives all his blaze again, Void of its flame, and sheds a softer day. Thomson could not resist the attractions of Milton's stately Latin vocabulary. Where Milton describes how, in Paradise-- the flowery lap Of some irriguous valley spread her store; Thomson follows with-- See where the winding vale its lavish stores Irriguous spreads. Where Milton describes how Satan, wounded by Michael-- writhed him to and fro convolved, Thomson follows with a description of the Spring meadows, where the sportive lambs This way and that convolved, in friskful glee Their frolics play. The lambs emulating Satan are a kind of epitome and emblem of those descriptive poets of the eighteenth century who took Milton for their model. But perhaps the best example of all is Gray, whose work is full of Miltonic reminiscence. He frequently borrows; and, like Pope, almost always spoils in the borrowing. Thus what Milton writes of the nightingale-- She all night long her amorous descant sung,-- is echoed by Gray in the _Sonnet on the Death of Richard West_:-- The birds in vain their amorous descant join. Now a "descant" is a variation imposed upon a plain-song. The word exactly describes the song of the nightingale; but the addition of the verb "join" robs it of all meaning. Again, the passage in the Second Book of _Paradise Lost_ where Moloch describes the pains of Hell-- when the scourge Inexorably, and the torturing hour Calls us to penance,-- lingered in Gray's memory when he addressed Adversity-- Whose iron scourge and torturing hour The bad affright, afflict the best. The "torturing hour" in Gray's line becomes one of the chance possessions of Adversity, suspended from her belt with the rest of her trinkets. Observe how the word "hour" has been emptied of its meaning. It affrights one class of persons, and afflicts another, which anything that is "torturing" might easily do. In Milton the most awful property of Time is indicated; the hour "calls--inexorably." Here, then, in two cases, is plagiarism, which may
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