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aggravation, ultimately reject it; the main design of the second is to exhibit the kingdom in its relation to the wicked one, who endeavours, by cunning stratagem, to destroy it. In either case there is a conflict: in the first, the conflict is waged chiefly between the word, which is the seed of the kingdom, and the various evil dispositions which impede its growth in the hearts of men; in the second, the conflict is waged chiefly, as in the mysterious temptation in the wilderness, between Christ, man's Redeemer, and the devil, the adversary of man. In the first parable the obstacles to the progress of the kingdom lay in the heedlessness, the hardness, and the worldliness of men; in the second, the old serpent is the opposer, and wicked men are wielded as instruments in his hands. The picture is sketched from nature; the lines are very few, but each contributes a feature, and all, together, make the likeness complete. A Galilean countryman, after having fenced and ploughed and cleaned his field, has watched the condition of the soil and the appearance of the sky, until he has found a day on which both were suitable for the grand decisive operation of the season, the sowing of the seed. With anxiety, but in hope, this critical and cardinal act is performed; the seed is committed to the ground. It was "good seed" that the careful husbandman cast among the clods. If the last season's crop was of inferior quality, he and his children have cheerfully lived upon the worst, that the best might be reserved for sowing; if the last crop was scanty, the family were content with a less plentiful meal; and if none of the previous year's produce was well ripened, better grain has been bought in a distant market, that at all hazards a sufficient quantity of good seed may be secured for the coming season. Those only who have lived among them, and shared their lot, know how much the poor but intelligent and industrious cultivators of the soil will do and bear in order to preserve or obtain plenty of "good seed." The great crisis of the season is now past; and the husbandman, wiping his brow as he glances backward upon his completed work, goes home at sunset with limbs somewhat weary, but a heart full of hope. The next portion of the picture is of a dark and dismal hue. When the farmer and his family, innocent and unsuspicious, are fast asleep, a neighbour, too full of envy for enjoying rest, stalks forth into the same field unde
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