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e chevalier subsided into silence, but Robert saw a significant look pass between them, and instantly he became keen and watchful. What did it mean? Willet's warning words came back to him. The more he studied Boucher the less he liked him. With his thin face, and great hooked nose, and long, bony fingers like talons, he reminded him of some great bird of prey. He noticed also that while the others were drinking wine, although he himself did not, the chevalier was the only one within his view who also abstained. The dinner was long. One or two of the ladies sang to the music, another danced, and then de Galisonniere, in a full, round tenor voice, sang "The Bridge of Avignon." "Hier sur le pont d'Avignon J'ai oui chanter la belle Lon, la, J'ai oui chanter la belle, Elle chantait d'un ton si doux Comme une demoiselle Lon, la, Comme une demoiselle." It was singularly appealing, and for a moment tears came to the eyes of all those who were born in France. They saw open fields, stone fences, and the heavy grapes hanging in the vineyards, instead of the huge rivers, the vast lakes and the mighty wilderness that curved almost to their feet. But it was only for a moment. This was Quebec, the seat of the French power in America, and they were in the Intendant's palace, the very core and heart of it. The laughter that had been hushed for a thoughtful instant or two came back in full tide, and once more the Chevalier Pierre Boucher spoke to Robert. "The songs of our France are beautiful," he said. "None other have in them so much of poetry and haunting lament." The youth detected as before the challenging under note in a remark that otherwise would have seemed irrelevant, and an angry contradiction leaped swiftly to his lips, but with the recollection of Willet's warning look he restrained himself again. "France has many beautiful things," he replied quietly. "Well spoken, Mr. Lennox! A compliment to us from one of another race is worth having," said de Courcelles. But Robert thought he saw that significant look pass for a second time between de Courcelles and Boucher. The long dinner drew to its close and the invited guests passed into the private ballroom, where the band began to play dance music. In the other ballroom, the one intended for the general public, the people were dancing already, and another band was playing. Now Bigot was in his element, s
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