since. His father was a respectable yeoman, and he himself,
succeeding to good farms under the Duke of Buccleuch, became too soon
his own master, and plunged into dissipation and ruin. His poetical
talent, a very fine one, then showed itself in a fine strain of pensive
poetry, called, I think, _The Lonely Hearth_, far superior to those of
Michael Bruce, whose consumption, by the way, has been the _life_ of his
verses. But poetry, nay, good poetry, is a drug in the present day. I am
a wretched patron. I cannot go with a subscription-paper, like a
pocket-pistol about me, and draw unawares on some honest
country-gentleman, who has as much alarm as if I had used the phrase
"stand and deliver," and parts with his money with a grimace, indicating
some suspicion that the crown-piece thus levied goes ultimately into the
collector's own pocket. This I see daily done; and I have seen such
collectors, when they have exhausted Papa and Mamma, continue their
trade among the misses, and conjure out of their pockets those little
funds which should carry them to a play or an assembly. It is well
people will go through this--it does some good, I suppose, and they have
great merit who can sacrifice their pride so far as to attempt it in
this way. For my part I am a bad promoter of subscriptions; but I wished
to do what I could for this lad, whose talent I really admired; and I am
not addicted to admire heaven-born poets, or poetry that is reckoned
very good _considering_. I had him, Knox,[60] at Abbotsford, about ten
years ago, but found him unfit for that sort of society. I tried to help
him, but there were temptations he could never resist. He scrambled on,
writing for the booksellers and magazines, and living like the Otways,
and Savages, and Chattertons of former days, though I do not know that
he was in actual want. His connection with me terminated in begging a
subscription or a guinea now and then. His last works were spiritual
hymns, and which he wrote very well. In his own line of society he was
said to exhibit infinite humour; but all his works are grave and
pensive, a style perhaps, like Master Stephen's melancholy,[61]
affected for the nonce.

Mrs. G[rant] of L. intimates that she will take her pudding--her
pension, I mean (see 30th November), and is contrite, as H[enry]
M[ackenzie] vouches. I am glad the stout old girl is not foreclosed;
faith, cabbing a pension in these times is like hunting a pig with a
soap'd tail, monst