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d by his well-loved charioteer, drawn by the immortal steeds through the mist, and finally talking of his deeds and claiming a place in the Christian heaven--a place that Patrick yields to him. The invisible worlds lived, loved, and thought around this visible world, and were, it seems, closer and more real to the Celtic than to other races. But it was not only these agreeable and lovely folk in pleasant habitations whom the Irish made, but also spirits of another sort, of lesser powers and those chiefly malignant, having no fixed dwelling-place, homeless in the air and drifting with it, embodying the venomous and deadly elements of the earth and the angers and cruelty of the sea, and the hypocrisy of them all--demons, some of whom, like the stepmother of the children of Lir, have been changed from men or women because of wicked doings, but the most part born of the evil in Nature herself. They do what harm they can to innocent folk; they enter into, support, and direct--like Macbeth's witches--the evil thoughts of men; they rejoice in the battle, in the wounds and pain and death of men; they shriek and scream and laugh around the head of the hero when he goes forth, like Cuchulain, to an unwearied slaughter of men. They make the blight, the deadly mist, the cruel tempest. To deceive is their pleasure; to discourage, to baffle, to ruin the hero is their happiness. Some of them are monsters of terrific aspect who abide in lakes or in desolate rocks, as the terrible tri-formed horse whom Fergus mac Leda conquered and by whom he died. Naturally, as a link between these supernatural worlds and the natural world, there arose a body of men and women in Irish legend who, by years of study, gained a knowledge of, and power over, the supernatural beings, and used these powers for hurt to the enemies of their kingdom, or for help to their own people. Some were wise, learned, and statesmanlike, and used their powers for good. These were the high Druids, and every king had a band of them at his court and in his wars. They practiced what the Middle Ages called white magic. Others were wizards, magicians, witches, who, like the children of Cailitin, the foes of Cuchulain, or the three mutilated women whom Maev educated in evil craft to do evil to her foes, or the dread band that deceived Cuchulain into his last ride of death, practised black magic--evil, and the ministers of evil. Magic, and the doing of it, runs through the who
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