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ne. It's the carol-singers, singing because Jesus was born." "But, mother ... it _is_ the gipsies, isn't it?... 'Cos look..." "Look where?" "At Aunt Rachel, mother ... The gipsy woman wouldn't go without her little baby, would she?" "No, she wouldn't do that." "Then has she _lent_ it to Aunt Rachel, like I lend my new toys sometimes?" The mother glanced across at Aunt Rachel, and then gathered the night-gowned figure more closely. "The darling's only half awake," she murmured.... "Poor Aunt Rachel's sleepy too...." Aunt Rachel, her head dropped, her hands lightly folded as if about some shape that none saw but herself, her face again ineffable with that sweet and peaceful smile, was once more rocking softly in her chair. HIC JACET A TALE OF ARTISTIC CONSCIENCE INTRODUCTION As I lighted my guests down the stairs of my Chelsea lodgings, turned up the hall gas that they might see the steps at the front door, and shook hands with them, I bade them good night the more heartily that I was glad to see their backs. Lest this should seem but an inhospitable confession, let me state, first, that they had invited themselves, dropping in in ones and twos until seven or eight of them had assembled in my garret, and, secondly, that I was rather extraordinarily curious to know why, at close on midnight, the one I knew least well of all had seen fit to remain after the others had taken their departure. To these two considerations I must add a third, namely, that I had become tardily conscious that, if Andriaovsky had not lingered of himself, I should certainly have asked him to do so. It was to nothing more than a glance, swift and momentary, directed by Andriaovsky to myself while the others had talked, that I traced this desire to see more of the little Polish painter; but a glance derives its import from the circumstance under which it is given. That rapid turning of his eyes in my direction an hour before had held a hundred questions, implications, criticisms, incredulities, condemnations. It had been one of those uncovenanted gestures that hold the promise of the treasures of an eternal friendship. I wondered as I turned down the gas again and remounted the stairs what personal message and reproach in it had lumped me in with the others; and by the time I had reached my own door again a phrase had fitted itself in my mind to that quick, ironical turning of Andriaovsky's eyes: _"Et tu, Brute!.
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