ach group of the Western Empire began to
see to its own preservation--down to that last achievement of the
thirteenth, when medieval civilisation had reached its full flower and
was ready for the decline that followed the death of St. Louis and the
extinction of the German phantasy of empire.
No other town can present so vivid and clean-cut a fossil of the seven
hundred years into which poured and melted all the dissolution of
antiquity, and out of which was formed or chrystallised the highly
specialised diversity of our modern Europe.
In the fascination of extreme age many English sites are richer;
Winchester and Canterbury may be quoted from among a hundred. In the
superimposition of age upon age of human history, Arles and Rome are far
more surprising. In historic continuity most European towns surpass it,
from Paris, whose public justice, worship, and market have kept to the
same site for quite sixteen centuries, to London, of which the city at
least preserves upon three sides the Roman limit. But no town can of its
nature give as does Carcassonne this overwhelming impression of survival
or resurrection.
* * * * *
The attitude and position of Carcassonne enforce its character. Up
above the river, but a little set back from the valley, right against
the dawn as you come to it from Toulouse through the morning, stands a
long, steep, and isolated rock, the whole summit of which from the sharp
cliff on the north to that other on the south is doubled in height by
what seems one vast wall--and more than twenty towers. Indeed, it is at
such a time, in early morning, and best in winter when the frost defines
and chisels every outline, that Carcassonne should be drawn. You then
see it in a band of dark blue-grey, all even in texture, serrated and
battlemented and towered, with the metallic shining of the dawn behind
it.
So to have seen it makes it very difficult to write of it or even to
paint; what one wishes to do is rather to work it out in enamel upon a
surface of bronze. This rock, wholly covered with the works of the city,
stands looking at the Pyrenees and holding the only level valley between
the Mediterranean and the Garonne, and even if one had read nothing
concerning it one would understand why it has filled all the legends of
the return of armies from Spain, why Victor Hugo could not rest from the
memory of it, and why it is so strongly woven in with the story of
Charlema
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