membered, and such authentic history as there
is of my parents' movements, I gather that this attic was in theatrical
lodgings in Glasgow. My father was an actor, my mother an actress, and
they were at this time on tour in Scotland. Perhaps this is the place to
say that father was the son of an Irish builder, and that he eloped in a
chaise with mother, who was the daughter of a Scottish minister. I am
afraid I know no details of their romance. As for my less immediate
ancestry, it is "wropt in mystery." Were we all people of the stage?
There was a Daniel Terry who was not only a famous actor in his day, but
a friend of Sir Walter Scott's. There was an Eliza Terry, an actress
whose portrait appears in _The Dramatic Mirror_ in 1847. But so far as I
know I cannot claim kinship with either Eliza or Daniel.

I have a very dim recollection of anything that happened in the attic,
beyond the fact that when my father and mother went to the theater every
night, they used to put me to bed and that directly their backs were
turned and the door locked, I used to jump up and go to the window. My
"bed" consisted of the mattress pulled off their bed and laid on the
floor--on father's side. Both my father and my mother were very kind and
devoted parents (though severe at times, as all good parents are), but
while mother loved all her children too well to make favorites, I was, I
believe, my father's particular pet. I used to sleep all night holding
his hand.

One night I remember waking up to find a beautiful face bending over me.
Father was holding a candle so that the visitor might see me better, and
gradually I realized that the face belonged to some one in a brown silk
dress--the first silk dress that I had ever seen. This being from
another world had brown eyes and brown hair, which looked to me very
dark, because we were a white lot, very fair indeed. I shall never
forget that beautiful vision of this well-dressed woman with her lovely
complexion and her gold chain round her neck. It was my Aunt Lizzie.

I hold very strongly that a child's earliest impressions mould its
character perhaps more than either heredity or education. I am sure it
is true in my case. What first impressed me? An attic, an oak bureau, a
lovely face, a bed on the floor. Things have come and gone in my life
since then, but they have been powerless to efface those early
impressions. I adore pretty faces. I can't keep away from shops where
they sell good old