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oudly of the apathy evinced at home to all that concerns their advantage and prosperity, are quite content to drowze over their old _dustoors_ (customs), and make no attempt to direct the public attention in England to subjects of real importance. Though unwilling to indulge in premature remarks, these are pressed upon me by the general complaints which I hear upon all sides; but though everybody seems to lament the evil, no one exerts himself to effect a remedy, and while much is talked of individually, little is done by common consent. One great bar to improvement consists, I am told, of the voluminous nature of the reports upon all subjects, which are heaped together until they become so hopelessly bulky, that nobody can be prevailed upon to wade through them. In England, at all public meetings, a great deal of time and breath are wasted in superfluous harangues; but these can only effect the remote mischief threatened by Mr. Babbage, and produce earthquakes and other convulsions in distant lands, in distant centuries; whereas the foolscap is a present and a weighty evil, and has probably swamped more systems of improvement, and more promising institutions, than any other enemy, however active. The intellectual community of India seems yet to have to learn the advantage of placing all that relates to it in a clear, succinct, and popular form, and of bringing works before the British public which will entertain as well as instruct, and lead those who are employed in legislating for our Eastern territories to inquire more deeply into those subjects which so materially affect its political, moral, and commercial prosperity. FINIS. End of the Project Gutenberg EBook of Notes of an Overland Journey Through France and Egypt to Bombay, by Miss Emma Roberts *** END OF THIS PROJECT GUTENBERG EBOOK AN OVERLAND JOURNEY *** ***** This file should be named 12064.txt or 12064.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/0/6/12064/ Produced by Paul Murray, Leah Moser and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying
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