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were much read among a certain section of thinkers, while the influence of the teachings of Jacob Boehme, whose works had been translated into English between the years 1644 and 1692, can be traced, in diverse ways. They impressed themselves on the thought of the founders of the Society of Friends, they produced a distinct "Behmenist" sect, and it would seem that the idea of the three laws of motion first reached Newton through his eager study of Boehme. But all this has nothing directly to do with literature, and would not concern us here were it not that in the eighteenth century William Law came into touch with many of these mystical thinkers, and that he has embodied in some of the finest prose in our language a portion of the "inspired cobbler's" vision of the universe. Law's character is one of considerable interest. Typically English, and in intellect typically of the eighteenth century, logical, sane, practical, he is not, at first sight, the man one would expect to find in sympathy with the mystics. Sincerity is the keynote of his whole nature, sincerity of thought, of belief, of speech, and of life. Sincerity implies courage, and Law was a brave man, never shirking the logical outcome of his convictions, from the day when he ruined his prospects at Cambridge, to the later years when he suffered his really considerable reputation to be eclipsed by his espousal of an uncomprehended and unpopular mysticism. He had a keen rather than a profound intellect, and his thought is lightened by brilliant flashes of wit or of grim satire. We can tell, however, from his letters and his later writings, that underneath a severe and slightly stiff exterior, were hidden emotion, enthusiasm, and great tenderness of feeling. By middle life Law was well known as a most able and brilliant writer on most of the burning theological questions of the day, as well as the author of one of the best loved and most widely read practical and ethical treatises in the language, _A Serious Call to a Devout and Holy Life_. These earlier writings are by far the best known of his works, and it is with the _Serious Call_ that his name will always be associated. Until middle age he showed no marked mystical tendency, although we know that from the time he was an undergraduate he was a "diligent reader" of mystical books, and that he had studied, among others, Dionysius the Areopagite, Ruysbroek, Tauler, Suso, and the seventeenth century Quie
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