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themselves; and he is thus re-echoing in modern terms what was long ago stated by Plotinus when he said-- Knowledge has three degrees--opinion, science, illumination. The means or instrument of the first is sense, of the second dialectic, of the third intuition. To the last I subordinate reason. It is absolute knowledge founded on the identity of the mind knowing with the object known. (_Letter to Flaccus._) We have discovered that sense knowledge, however acute, has to be corrected by the intellect, which tells us that the sun does not go round the earth, although it appears to our observation to do this. So possibly, in turn, the intellect, however acute, may have to be corrected by intuition, and the impotence of brain knowledge in dealing with the problem of life is leading slowly to the perception that to _know_ in its true sense is not an intellectual process at all. Further, in Bergson's theory of the nature of mind, and in his theory of rhythm, he seems to indicate the lines of a technical explanation of some part of the mystic experience.[84] The soul, or the total psychic and mental life of man, he says, is far greater than the little bit of consciousness of which we are normally aware, and the brain acts as a sheath or screen, which allows only a point of this mental life to touch reality. The brain or the cerebral life is therefore to the whole mental life as the point of a knife is to the knife itself. It limits the field of vision, it cuts in one direction only, it puts blinkers on the mind, forcing it to concentrate on a limited range of facts. It is conceivable that what happens with the mystics is that their mental blinkers become slightly shifted, and they are thus able to respond to another aspect or order of reality. So that they are swept by emotions and invaded by harmonies from which the average man is screened. Life having for them somewhat changed in direction, the brain is forced to learn new movements, to cut along fresh channels, and thus to receive sensations which do not directly minister to the needs of physical life. "Our knowledge of things," says Bergson, "derives its form from our bodily functions and lower needs. By unmaking that which these needs have made, we may restore to Intuition its original purity, and so recover contact with the Real." It is possibly this very unmaking and remaking, this readjustment which we see at work in the lives of the great
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