f work. "Do thy little stroke of
work; this is Nature's voice, and the sum of all the commandments, to
each man." All true work is religion, all true work is worship; to
labour is to pray. And after work, obedience the best discipline, so he
says in _Past and Present_, for governing, and "our universal duty and
destiny; wherein whoso will not bend must break." Carlyle asked of every
man, action and obedience and to bow to duty; he also required of him
sincerity and veracity, the duty of being a real and not a sham, a
strenuous warfare against cant. The historical facts with which he had
to deal he grouped under these embracing categories, and in the _French
Revolution_, which is as much a treasure-house of his philosophy as a
history, there is hardly a page on which they do not appear.
"Quack-ridden," he says, "in that one word lies all misery whatsoever."
These bare elemental precepts he clothes in a garment of amazing and
bizarre richness. There is nothing else in English faintly resembling
the astonishing eccentricity and individuality of his style. Gifted with
an extraordinarily excitable and vivid imagination; seeing things with
sudden and tremendous vividness, as in a searchlight or a lightning
flash, he contrived to convey to his readers his impressions full
charged with the original emotion that produced them, and thus with the
highest poetic effect. There is nothing in all descriptive writing to
match the vividness of some of the scenes in the _French Revolution_ or
in the narrative part of _Cromwell's Letters and Speeches_, or more
than perhaps in any of his books, because in it he was setting down
deep-seated impressions of his boyhood rather than those got from
brooding over documents, in _Sartor Resartus_. Alongside this unmatched
pictorial vividness and a quite amazing richness and rhythm of language,
more surprising and original than anything out of Shakespeare, there are
of course, striking defects--a wearisome reiteration of emphasis, a
clumsiness of construction, a saddening fondness for solecisms and
hybrid inventions of his own. The reader who is interested in these (and
every one who reads him is forced to become so) will find them
faithfully dealt with in John Sterling's remarkable letter (quoted in
Carlyle's _Life of Sterling_) on _Sartor Resartus_. But gross as they
are, and frequently as they provide matter for serious offence, these
eccentricities of language link themselves up in a strange ind
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