hat country! What a paradise they would have made of
it! As it is (and to their credit be it said) they did more good for the
country during three years only, than we have done for our possessions in
India for fifty years.

ROME, 15th Septr.

The next morning, after an early breakfast, I repaired to the Pantheon, now
called _Santa Maria della Rotonda_, and appropriated to the Catholic
worship. It is easily recognizable by its rotundity and by the simple
grandeur of its facade and portico. The bronze has been taken out of the
letters of the inscription. This beautiful specimen of ancient architecture
is situated in a small _piazza_ or square called _Piazza della Rotonda_,
where a market of poultry, game, and vegetables is held. There are only now
three or four steps on the _escalier_ to ascend, in order to enter into the
portico; but as it is known that according to the descriptions of the
Pantheon in ancient times there was an immense flight of steps to ascend,
it is an additional proof how much the ground on which modern Rome stands
has been filled up, and consequently it is evident that the greater part of
this flight of steps remains still buried in the earth.

If I was so struck with the appearance of this interesting edifice outside,
how much more so should I have been on seeing the inside, were not the
niches, where formerly stood the statues of the Gods, filled with tawdry
dolls representing the Virgin Mary and _he_ and _she_ saints. The columns
and pilasters in the interior of this temple are beautiful, all of _jaune
antique_ and one entire stone each. How much better would it have been to
replace the statues of the _Dii Majorum Gentium_ which occupied the niches,
by statues in marble of the Apostles, instead of the dolls dressed in
tawdry colors, and the frippery gilding of the altars on which they stand,
which disfigure this noble building. The Pantheon was built by Agrippa as
the inscription shews. In the interior are sixteen columns of _jaune
antique_. The bronze that formerly ornamented this temple was made use of
to fabricate the baldachin of St Peter's. Of late years it has been the
fashion to erect monuments affixed to the walls of the interior of the
Pantheon to the memory of the great men and heroes of poetry, painting,
sculpture and music who were natives of Italy, or for foreigners,
celebrated for their excellence in those arts, who have died in Rome. Here
are for instance, tablets to the memory o