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isn't true: that's father's way of putting it. You are beautiful!" "My dear child!" "Why do you say 'dear child' to me? People would think you were years and years older than I am. Why do you always talk as if life were over? Have you a secret sorrow?" If Pauline, warm-hearted, loving Pauline had really thought I had, she would have been the last person to ask such a question. "Do I look it?" I asked. "No-o. Only when people seem to spend the whole of their life in doing things for other people, it makes one suspect that they are saying to themselves, 'As we can't be happy ourselves, we can see that other people are.'" "What a philosopher you are, Pauline! If you go on that supposition, you must have a terrible sorrow somewhere hidden behind that happy face of yours." Pauline is not meant to live in London. She thanks people in a crowd for letting her pass. If she is pushed off the pavement, she is only sorry that the person can be so rude as to do it. She never gets into a 'bus or takes any vehicular advantage over a widow, and she feels choky if she sees any one very old. "Do you know why?" she asked. "Because they are, so near Heaven, and sometimes I think you see the reflection of it in their faces." "Like Cousin Penelope," I said. We arrived at the shop where the coat and skirt were to be had, and Pauline, having admired the horse and thanked the cabman, and the commissionaire, who held his arm over a perfectly dry wheel, followed me into the shop. She admired everything as she went through the different departments, and apologized to the shop walkers for not being able to buy everything; but she lived in the country, and although the things were lovely, they would be no use to her--dogs on her lap most of the day, and so on. Everyone looked at Pauline; and old ladies, to whom she always appeals very much, put their heads on one side, as old ladies do when they admire anything very much, anything which reminds them of their own youth, and smiled. Old ladies have this privilege, that when they arrive at a certain age, they are allowed to think they were beautiful in their youth, and to tell you so. It is a recognized thing, and one of the recompenses of old age. We all know that every one had a beautiful grandmother--one at least; and if a portrait of one grandmother belies the fact, then there is the other one to fall back upon, of whom, unfortunately, no portrait exists, and she was abs--s
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