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le, and painful, and full of shadows, is a noble melancholy, a superior sort of madness. Yet one is not content to bear, to suffer, to wait; one clutches desperately at light and warmth and joy, and alas, in joy and sorrow alike, one is ever and insupportably alone. April 9, 1889. I have been reading Rousseau lately, and find him a very incomprehensible figure. The Confessions, it must be said, is a dingy and sordid book. I cannot quite penetrate the motive which induced him to write them. It cannot have been pure vanity, because he does not spare himself; he might have made himself out a far more romantic and attractive character, if he had suppressed the shadows and heightened the lights. I am inclined to think that it was partly vanity and partly honesty. Vanity was the motive force, and honesty the accompanying mood. I do not suppose there is any document so transparently true in existence, and we ought to be thankful for that. It is customary to say that Rousseau had the soul of a lackey, by which I suppose is meant that he had a gross and vulgar nature, a thievish taste for low pleasures, and an ill-bred absence of consideration for others. He had all these qualities certainly, but he had a great deal more. He was upright and disinterested. He had a noble disregard of material advantages; he had an enthusiasm for virtue, a passionate love of humanity, a deep faith in God. He was not an intellectual man nor a philosopher; and yet what a ridiculous criticism is that which is generally made upon him, that his reasoning is bad, his knowledge scanty, and that people had better read Hobbes! The very reason which made Rousseau so tremendous an influence was that his point of view was poetical rather than philosophical; he was not too far removed from the souls to which he prophesied. What they needed was inspiration, emotion, and sentimental dogma; these he could give, and so he saved Europe from the philosophers and the cynics. Of course it is a deplorable life, tormented by strong animal passion, ill-health, insanity; but one tends to forget the prevalent coarseness of social tone at that date, not because Rousseau made any secret of it, but because none of his contemporaries dared to be so frank. If Rousseau had struck out a dozen episodes from the Confessions the result would have been a highly poetical, reflective, charming book. I can easily conceive that it might have a very bad effect upon an ingenuous mi
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