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y, without its vulgarity So hard to give up doing anything we have meant to do So old a world and groping still The knowledge of your helplessness in any circumstances There is little proportion about either pain or pleasure They can only do harm by an expression of sympathy Tragical character of heat Used to having his decisions reached without his knowledge Vexed by a sense of his own pitifulness Voice of the common imbecility and incoherence Weariness of buying Willingness to find poetry in things around them ***** A HAZARD OF NEW FORTUNES By William Dean Howells BIBLIOGRAPHICAL The following story was the first fruit of my New York life when I began to live it after my quarter of a century in Cambridge and Boston, ending in 1889; and I used my own transition to the commercial metropolis in framing the experience which was wholly that of my supposititious literary adventurer. He was a character whom, with his wife, I have employed in some six or eight other stories, and whom I made as much the hero and heroine of 'Their Wedding Journey' as the slight fable would bear. In venturing out of my adoptive New England, where I had found myself at home with many imaginary friends, I found it natural to ask the company of these familiar acquaintances, but their company was not to be had at once for the asking. When I began speaking of them as Basil and Isabel, in the fashion of 'Their Wedding Journey,' they would not respond with the effect of early middle age which I desired in them. They remained wilfully, not to say woodenly, the young bridal pair of that romance, without the promise of novel functioning. It was not till I tried addressing them as March and Mrs. March that they stirred under my hand with fresh impulse, and set about the work assigned them as people in something more than their second youth. The scene into which I had invited them to figure filled the largest canvas I had yet allowed myself; and, though 'A Hazard of New Fortunes was not the first story I had written with the printer at my heels, it was the first which took its own time to prescribe its own dimensions. I had the general design well in mind when I began to write it, but as it advanced it compelled into its course incidents, interests, individualities, which I had not known lay near, and it specialized and amplified at points which I had not always meant to touch, though I
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