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of time and space which hashish and other drugs produce in us. This was the sort of thing which the Professor had wanted from his students: free comment and discussions, the spirit of the course, rather than any strict adherence to the letter. He had constructed his questions to elicit as much individual discussion as possible and had been somewhat disappointed in his hopes. Yes, Bertie and Billy were astonished. But their astonishment did not equal that of Oscar, who had answered many of the questions in the Professor's own language. Oscar received seventy-five per cent for this achievement--a good mark. But Billy's mark was eighty-six and Bertie's ninety. "There is some mistake," said Oscar to them when they told him; and he hastened to the Professor with his tale. "There is no mistake," said the Professor. Oscar smiled with increased deference. "But," he urged, "I assure you, sir, those young men knew absolutely nothing. I was their tutor, and they knew nothing at all. I taught them all their information myself." "In that case," replied the Professor, not pleased with Oscar's tale-bearing, "you must have given them more than you could spare. Good morning." Oscar never understood. But he graduated considerably higher than Bertie and Billy, who were not able to discover many other courses so favorable to "orriginal rresearch" as was Philosophy 4. That is twenty years ago, To-day Bertie is treasurer of the New Amsterdam Trust Company, in Wall Street; Billy is superintendent of passenger traffic of the New York and Chicago Air Line. Oscar is successful too. He has acquired a lot of information. His smile is unchanged. He has published a careful work entitled "The Minor Poets of Cinquecento," and he writes book reviews for the Evening Post. End of the Project Gutenberg EBook of Philosophy 4, by Owen Wister *** END OF THIS PROJECT GUTENBERG EBOOK PHILOSOPHY 4 *** ***** This file should be named 862.txt or 862.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/8/6/862/ Produced by Daniel P. B. Smith Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special ru
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