FREE BOOKS

Author's List




PREV.   NEXT  
|<   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179  
180   181   >>  
a meagre frame, thin face, with high cheek-bones, a dry, dark complexion, straight hair, small eyes, and as for repose, he has never heard of it; he is overwhelmingly, never-endingly restless. With this enumeration my statement that he is handsome may not appear to accord. Nevertheless, he is a good-looking fellow; his spare form is often tall, the quickly turning eyes are wonderfully brilliant, the dark face is lighted by the gleam of white teeth, the gait is very graceful, the step light. The Albanian costume, which was adopted after the revolution as the national dress for the whole country, is amazing. We have all seen it in paintings and photographs, where it is merely picturesque. But when you meet it in the streets every day, when you see the wearer of it engaged in cooking his dinner, in cleaning fish, in driving a cart, in carrying a hod, or hanging out clothes on a line, then it becomes perfectly fantastic. The climax of my own impressions about it was reached, I think, a little later, at Athens, when I beheld the guards walking their beats before the King's palace, and before the simple house of the Crown Prince opposite; they are soldiers of the regular army, and they held their muskets with military precision as they marched to and fro, attired in ordinary overcoats (it happened to be a rainy day) over the puffed-out white skirts of a ballet-dancer. Robert Louis Stevenson, in one of his recent letters from the South Seas, writes that "the mind of the female missionary" (British) "tends to be constantly busied about dress; she can be taught with extreme difficulty to think any costume decent but that to which she grew accustomed on Clapham Common, and, to gratify this prejudice, the native is put to useless expense." And here it occurs to me that it is high time to explore this Clapham Common. We go as worshippers to Shakespeare's Avon; we go to the land of Scott and Burns; we know the "stripling Thames at Bablockhithe," where "the punt's rope chops round"; but to Clapham Common we make, I think, no pilgrimages, although it has as clearly marked a place in English literature as the Land of Beulah or the Slough of Despond. I fancy that Americans are not so closely tied to a fixed standard in dress as are the missionaries who excite Mr. Stevenson's wrath. A half of our population seeks its ideal in Paris, but as a whole we are easy-going. We accept the Chinese attire in our streets without demur; the lack of at
PREV.   NEXT  
|<   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179  
180   181   >>  



Top keywords:
Common
 

Clapham

 

costume

 

Stevenson

 

streets

 

accustomed

 

expense

 
occurs
 

useless

 
happened

prejudice

 

native

 

gratify

 

taught

 

writes

 
female
 

missionary

 
British
 

recent

 

letters


Robert

 
difficulty
 

extreme

 

decent

 

puffed

 

busied

 

constantly

 
dancer
 

ballet

 

skirts


stripling
 

missionaries

 
excite
 

standard

 

Americans

 

closely

 

population

 

attire

 

Chinese

 

accept


Despond

 

Slough

 

overcoats

 
Thames
 
Bablockhithe
 

explore

 
worshippers
 

Shakespeare

 

English

 

literature