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e started, he had everything to gain and nothing to lose. If he didn't last, the newspapers wouldn't laugh at him, and the people wouldn't say: "$11,000, or $22,500, for a lemon." That's the dread of all ball players. Such is the psychology of introducing promising pitchers into the Big Leagues. The Alexander route is the ideal one, but it's hard to get stars now without paying enormous prices for them. Philadelphia was lucky. There is another element which enters into all forms of athletics. Tennis players call it nervousness, and ball players, in the frankness of the game, call it a "yellow streak." It is the inability to stand the gaff, the weakening in the pinches. It is something ingrained in a man that can't be cured. It is the desire to quit when the situation is serious. It is different from stage fright, because a man may get over that, but a "yellow streak" is always with him. When a new player breaks into the League, he is put to the most severe test by the other men to see if he is "yellow." If he is found wanting, he is hopeless in the Big League, for the news will spread, and he will receive no quarter. It is the cardinal sin in a ball player. For some time after "Hans" Wagner's poor showing in the world's series of 1903, when the Pittsburg club was defeated for the World's Championship by the Boston American League club, it was reported that he was "yellow." This grieved the Dutchman deeply, for I don't know a ball player in either league who would assay less quit to the ton than Wagner. He is always there and always fighting. Wagner felt the inference which his team mates drew very keenly. This was the real tragedy in Wagner's career. Notwithstanding his stolid appearance, he is a sensitive player, and this hurt him more than anything else in his life ever has. When the Pittsburg club played Detroit in 1909 for the championship of the world, many, even of Wagner's admirers, said, "The Dutchman will quit." It was in this series he vindicated himself. His batting scored the majority of the Pittsburg runs, and his fielding was little short of wonderful. He was demonstrating his gameness. Many men would have quit under the reflection. They would have been unable to withstand the criticism, but not Wagner. Many persons implied that John Murray, the rightfielder on the Giants, was "yellow" at the conclusion of the 1911 world's series because, after batting almost three hundred in the season, he did
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