e started, he had everything to gain and nothing to lose. If he
didn't last, the newspapers wouldn't laugh at him, and the people wouldn't
say:
"$11,000, or $22,500, for a lemon." That's the dread of all ball players.
Such is the psychology of introducing promising pitchers into the Big
Leagues. The Alexander route is the ideal one, but it's hard to get stars
now without paying enormous prices for them. Philadelphia was lucky.
There is another element which enters into all forms of athletics. Tennis
players call it nervousness, and ball players, in the frankness of the
game, call it a "yellow streak." It is the inability to stand the gaff,
the weakening in the pinches. It is something ingrained in a man that
can't be cured. It is the desire to quit when the situation is serious. It
is different from stage fright, because a man may get over that, but a
"yellow streak" is always with him. When a new player breaks into the
League, he is put to the most severe test by the other men to see if he is
"yellow." If he is found wanting, he is hopeless in the Big League, for
the news will spread, and he will receive no quarter. It is the cardinal
sin in a ball player.
For some time after "Hans" Wagner's poor showing in the world's series of
1903, when the Pittsburg club was defeated for the World's Championship by
the Boston American League club, it was reported that he was "yellow."
This grieved the Dutchman deeply, for I don't know a ball player in either
league who would assay less quit to the ton than Wagner. He is always
there and always fighting. Wagner felt the inference which his team mates
drew very keenly. This was the real tragedy in Wagner's career.
Notwithstanding his stolid appearance, he is a sensitive player, and this
hurt him more than anything else in his life ever has.
When the Pittsburg club played Detroit in 1909 for the championship of the
world, many, even of Wagner's admirers, said, "The Dutchman will quit." It
was in this series he vindicated himself. His batting scored the majority
of the Pittsburg runs, and his fielding was little short of wonderful. He
was demonstrating his gameness. Many men would have quit under the
reflection. They would have been unable to withstand the criticism, but
not Wagner.
Many persons implied that John Murray, the rightfielder on the Giants, was
"yellow" at the conclusion of the 1911 world's series because, after
batting almost three hundred in the season, he did
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