FREE BOOKS

Author's List




PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  
was really designed, purpose and moral being more skillfully disguised than is the case with Miss Edgeworth's tales for her equals. One of its great charms lies in the characters of the principal _dramatis personae_, whose temperaments are exquisitely sketched, maintained and contrasted. Lucy, the lively, playful girl, who often allows her imagination to go rambling far afield from her judgment, a little inclined to be volatile, loving a joke, is cousin german to Rosamond, and, like this little girl, truly lovable. She supplies the lighter element, while the sterner is supplied by Harry, the brother she idolizes, who is partly her companion, partly her teacher. He has a sure and steady rather than a brilliant and rapid intellect, great mental curiosity and great patience in acquiring information. He is more apt to discern differences than to perceive resemblances, and therefore he does not always understand the wit and fun of Lucy, which at times even provoke him. In the conversations between them there is much judicious sprinkling of childish banter and nonsense, "an alloy necessary to make sense work well," to use Miss Edgeworth's own expressive words. A pity that the ever-delightful "Great Panjandrum" therein introduced is not her own, but only a quotation from a little-known nonsense genius. This sequel to _Harry and Lucy_ was far from finding universal favor. Sir Walter Scott wrote of it to Joanna Baillie:-- I have not the pen of our friend Miss Edgeworth, who writes all the while she laughs, talks, eats and drinks, and I believe, though I do not pretend to be so far in the secret, all the time she sleeps too. She has good luck in having a pen which walks at once so unweariedly and so well. I do not, however, quite like her last book on education (_Harry and Lucy_), considered as a general work. She should have limited the title to _Education in Natural Philosophy_, or some such term, for there is no great use in teaching children in general to roof houses or build bridges, which, after all, a carpenter or a mason does a great deal better at 2s. 6d. a day. Your ordinary Harry should be kept to his grammar, and your Lucy of most common occurrence would be kept employed on her sampler, instead of wasting wood and cutting their fingers, which I am convinced they did, though their historian says nothing of it. That both she and her father
PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  



Top keywords:

Edgeworth

 

general

 

partly

 

nonsense

 

laughs

 

secret

 

father

 

writes

 

common

 

friend


drinks

 

pretend

 

grammar

 

occurrence

 

employed

 

sequel

 

finding

 

universal

 
genius
 

quotation


wasting

 
sampler
 

Joanna

 

Baillie

 

sleeps

 

fingers

 

Walter

 

teaching

 

children

 
Philosophy

introduced
 

houses

 

carpenter

 

convinced

 
bridges
 
Natural
 
unweariedly
 

education

 
limited
 

historian


Education

 

ordinary

 

considered

 

cutting

 

childish

 

judgment

 

afield

 

inclined

 

volatile

 

loving