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these images, as signifying merely reverence for Gautama's teaching; but to the multitude, as has been seen already, the images represent distinct and all-powerful deities. Indeed, the people are encouraged thus to regard them by their ecclesiastical superiors; it being one of the methods of Buddhism thus to adapt its teaching to the capacity of dense and ignorant minds. And thus it comes about that a religion, commencing with agnosticism, meets the "craving for divinity," so deeply implanted in the nature of our race, by passing into what is, practically, a deification of humanity. [Illustration.] Pagoda at Nikko. Leaving the Hondo, we next proceed to explore the grounds and remaining buildings connected with the temple. This lofty _Pagoda_, for instance, several stories high, is erected over some holy relic,--perhaps the vitrified remains of the founder, after cremation. A little further on, we come to the _Rinzo_, or Revolving Library, containing an entire set of the Buddhist scriptures. As these consist altogether of some 6,700 or 6,800 large volumes, it is clearly impossible for any one person to read them all. This, however, need not be regretted seeing that whatever merit might be obtained by a complete perusal, is freely extended to all, who will take the trouble to make this huge stand revolve; the structure being so arranged that a single push is sufficient for the purpose! The Rinzo was an invention of a Chinese priest, and is said to date from the sixth century. Owing to their costliness they are rarely met with; and the only two I remember seeing were at Asakusa, Tokio, and at Ikegami, the head-quarters of the Hokkai sect. Elsewhere in the grounds we come upon the _Shoro_, or Great Bell,--used not for summoning the faithful, but for the purpose of invocation and worship;--the _Koro_, or Drum-tower; the _Emado_, or "Ex-voto" Shed, the walls of which are covered with pictures, charms, and other offerings; cisterns for the purpose of ceremonial purification; a printing and publishing department; and, perhaps, a grotto with ghastly representations of the sufferings endured in the Buddhist hells. Usually, too, to be found in the sacred precincts, is a specimen of the _Ficus religiosa_, or sacred tree, under which Sakya-muni attained his enlightenment. At the rear of the temple buildings are situated the priests' apartments,--often a quadrangle enc
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